The Story Behind MIDI Amsterdam by Modulogue

This year, we're celebrating the 30th anniversary of the Eurorack format. It's a great time to reflect on its journey.

When I started with Eurorack in 1998, only a couple of synth shops sold the modules: The Music House in Utrecht and MIDI Amsterdam. The real hype began with a "MIDI and Recording" magazine article on the Doepfer A-100 system around that same time.
I recently spoke with Martijn at The Music House, who was the first official Doepfer dealer. He taught me so much back then, and I'm still a huge Doepfer fan. 

We're planning an interview for later this year.

The team at Modulogue sat down with Tim Nieuwenhuis from MIDI Amsterdam to discuss his store and the early days of Eurorack.
It's a fascinating look at the start of the Eurorack scene in the Netherlands and how it led to a whole new community centered around sound.

I'm definitely looking forward to the next part of this story—if it becomes a series!

Video: The Story Behind MIDI Amsterdam /by/ Modulogue
" We visited Tim Nieuwenhuis' music store: 'MIDI Amsterdam', a staple in the Dutch electronic music scene for almost 30 years. Tim talks about the origin of his store, his passion for electronic music, the famous artists he's encountered over the years, and more! 

MIDI Amsterdam 

https://midiamsterdam.nl/ 

Modulogue 

https://www.modulogue.com/ade25/

/ modulogue.events 

/ modulogue 

/ modulogue

Creating Lush Reverbs and More with Bopp and Steve Video by @RaafModular

The Bopp & Steve Deconstructed Reverb by This is Not Rocket Science (TiNRS) has been on my radar ever since it was first teased at Superbooth Berlin a few years ago. With its unique approach to reverb and its unconventional interface, it immediately stood out among the sea of more traditional effects modules.

Earlier this year, TiNRS finally unveiled the finished version, and it’s been making waves in the modular community ever since. You may have already come across excellent deep-dives by DivKid and SonicState, both highlighting its creative potential and playful sound design possibilities.

But today, a new perspective caught my attention — a fresh video by Dutch modular artist Raaf Modular just popped up in my feed. 

He’s relatively new to creating content, but his style feels personal, musical, and refreshingly unpolished in the best way. 

It’s always exciting to see these modules in the hands of musicians who approach them from a purely creative angle rather than just technical.

Definitely worth checking out — and while you’re at it, give Raaf Modular a follow on your favorite social platforms. Support your local modular heroes!

Video:
Creating lush reverbs and more with Bopp and Steve by TINRS

Source: Raaf Modular

"This is a new kind of video for me.

In this one, I’m focusing on a single module — BOPP and STEVE by This Is Not Rocket Science.
This is not a review. I’m not a reviewer — I’m a musician. (plus a teacher! (red))

So rather than diving into every technical detail, I’m giving you a musical demonstration: how I use this module to patch, play, and make music. 

It’s a new direction I’m exploring, and I’m really enjoying it.
I originally started this channel to share my music, but more and more people have been asking how I create it — how I patch, how I build my sounds, and how I work with modular gear.
So this is the first step in sharing more of that side of my process.
Let me know in the comments if this kind of video speaks to you — 

I’d love your feedback. Thanks for watching

Raaf "

* The date for next year's Superbooth has just been released: May 7- 9 2026

SOMA Laboratory Announces New Colors for LYRA-4 and Limited Edition 'Rusting Soma' Edition

Polish SOMA laboratory was founded by Vlad Kreimer in 2016 after success with the LYRA-8 synthesizer, an interesting concept that he called“Organismic”, meaning that LYRA uses some principles that lie in the base of living organisms.
"The way how LYRA’s modules interact between each other and the behavior of the instrument resembles a live digital conversation."

New colors added to the original white and black versions

While LYRA-8 was based on eight generators, Soma re-launched this as LYRA-4 as a 4-voice version and the latest news is that they added a bunch of flashy colors for the fans...
They now added green, pink, orange, and Zanzibar blue to its cast of colors.

Their design is not like any traditional subtractive synthesis VCO. 

Instead of having a linear or logarithmic dependency on control voltage, they resemble the tone generators in old electric organs. Hence the use of the term “voices” instead of “VCOs”. 

Lyra uses non-linearity a lot, and the voices are constructed in such a way that allows for non-linearity to express itself.

It even comes in pink now! <3

The voices are divided into two pairs (12, 34), creating tree-like structure.

The voices can function either in an electric organ mode or in an FM synthesis mode with each of the voices and its envelope acting as a separate FM operator. The voice’s impact on FM synthesis will decrease along with the decay of its envelope.

LYRA-4 also has the next blocks:

The HYPER LFO is a complex low-frequency generator, whose waveform is synthesized from two simple LFOs by summation or multiplication of their frequencies. It also has a sync mode. The LFO can modulate the selected pairs of voices and the MOD DELAY.

The MOD DELAY consists of delay with feedback. The delay has a unique possibility of self-modulation where the output signal modulates the delay sample rate, creating cool effects.

The DISTORTION is last in the chain, after the delay. It enables the delay to also influence the distortion.

For all its experimental character, LYRA is a professional instrument. Its output dynamics and frequency response are balanced and ready for a live performance or studio recording without any additional processing.

Video: The Power of 2 x LYRA-4 (SOMA labs demo)

Source: https://www.youtube.com/@somasynths

On the other side of the color spectrum, the company is offering a special “Rusting SOMA” limited-edition bundle containing the PULSAR-23, LYRA-8, and COSMOS.
Not just another color, the special bundle's housing utilizes the highest level of production by using a unique technology and not just an artificial aging of each product.

While each product is being offered individually, each order of a complete set of the Rusting SOMA bundle comes with matching serial numbers for each product.

Each new color variant, including Rusting SOMA, is already shipping.
LYRA-4 is priced at €360
The PULSAR-23, LYRA-8, COSMOS bundle is priced at €2,700 (add €300 for Turret version)

To learn more, visit https://somasynths.com/cosmos

Eurorack Modular Make-over

My old Doepfer tower
(click to enlarge)

The final thing that had to be done in the studio after moving to Hilversum was re-organizing and cleaning my modular system.

It's a dirty job... but someone's got to do it...

I recently sold my Doepfer MAQ 16/3 sequencer, that one has mainly been replaced by the BeatStepPro sequencer. 

My Doepfer vocoder modules also found a better home... they took up too much space, and i'm more than happy with the easier to use Roland Boutique VP-03 vocoder... and this one still gives my tracks that retro Electro-Funk vibes.
Some other modules that i hardly ever used were sold too... I still do still have a few Doepfer modules for sale (pm me for a list).

The old layout just didn't make any sense anymore. Some modules were so weirdly placed that patching them always resulted in a whole spaghetti of cables.

I love my knobs
nice and clean

The new tower is now a fully analog, independent 5-Oscillator synth with a plethora of different modulation, calculation and filter options.

The only digital modules in the Eurorack system are the Doepfer Midi-to-CV converter and the RT60 digital multi-effect from the kind people at QuBitElectronix.

The new Eurorack mini-tower, controlled by
the BeatStepPro

After re-organizing the modules I took all the plastic knobs off and soaked them overnight in a jar filled with warm water with a bit of (biologic and bio-degradable) household cleaner added... It seemed to do the job perfect... 

Never use alcohol or other synthetic products because it might damage (the text on) your front-panels.

The next day I rubbed them all clean with a microfiber cloth and let them dry in the sun.

I used a slightly dampt cloth with the same cleaner to clean the front-panels, wiping them dry directly after.

I placed my Novation Drumstation on top of the tower for some of the most authentic TR-808 and TR-909 clone-drumsounds... and all still controlled by the BeatStepPro that I mentioned earlier.

The Drumstation's DIN-SYNC out is going into my TB-303, so this one nicely follows along, while it feeds its CV and a Gate signal back into my Eurorack tower . I can re-use these signals to create a copied version of the loop playing on the TB...and mutate it in any way i want...

I'm soo happy now,

the new workflow has much improved, less of the old cable-spaghetti, and the first soundcheck sounded crisp and clear.

I can't wait to record new sounds soon.

I couldn't find many guidelines for arranging modules on the web, so I made a few notes during the process last time that I did this... 

you can find that full post HERE... 

or click for the tips after the break

SiteTip: RetroSynthAds is Back

Retro Synth Ads is Back!

Just a quick post to share something nice I noticed — the blog Retro Synth Ads has (also) started posting again after being quiet for almost four years!

If you grew up loving synthesizers, you might remember how exciting it was to see new gear in magazines like Future Music, SOS... MIDI Magazine, Interface and even before that Keyboard Magazine or Electronic Musician. 

Back then, those ads were one of the only ways to find out what was new. There were no YouTube videos or websites to check every day. Just printed pages, full of dream machines.

The person behind Retro Synth Ads, based in Canada, clearly loved those ads too. He started blogging at https://retrosynthads.blogspot.com/ in 2019, sharing a lot of cool old synth brochures, advertisements and background stories. His posts are always a fun mix of history and nostalgia.

If you like classic synths or just want to remember the good old days of music gear ads, his blog is definitely worth checking out.

I have spent many hours on this site in the past and will definitely keep an eye on this again.

The archive is impressive, and easy to search through... 

Once more: https://retrosynthads.blogspot.com/

Welcome back, Retro Synth Ads!

You can always find a link to the most recent post in the right sidebar of the web-version of my own blog.... together with my other favorite blogs

Patch into more interesting SiteTips from the PatchPierre ARCHIVE

Doepfer A-149-3 Fluctuating Random Voltages

I am slowly catching up with the Doepfer announcements that they did at SuperBooth earlier this year, but one of them, the long awaited Doepfer A-149-3 Fluctuating Random Voltages seems to be ready for shipping right now.

In an online poll in the old Doepfer Usergroep over ten years ago about 
the earlier A-149 1/2 combo was voted as Users' Favorite Doepfer Modules 

A-149-3 is a new third module of the A-149-x range, based on the "Fluctuating Random Voltages" by Buchla.
Buchla avoided calling it a “noise” or “random” module — he preferred the mystical, poetic “Source of Uncertainty"

Basically it is a random voltage generator that features Quantized Random Voltages (stepped, like a broken sequencer) and Fluctuating Random Voltages (smooth, like a stoned LFO), offering both jagged and fluid unpredictability.

Used by pioneers like Morton Subotnick, the Source of Uncertainty helped shape electronic pieces that felt alive and organic

Compared to the historic original a lot of functions have been added in this module.

The user has access to virtually all internal signals (e.g. Noisy Triangle or S&H) and there are a lot of adjustable parameters which were fixed in the original like the frequency and noisiness of the internal triangle oscillator, the correlation of the S&H and manual or automatic frequency control of the S&H clock oscillator.

A-149 Internal Structure Schematics

The fixed internal connections of the original are wired to sockets in the A-149-3 and can be used also individually as the connections of the original are realized as normalled sockets. 

That way e.g. the S&H or slew unit can be used independent from the other units.

The Source of Uncertainty continues to ripple through modular design today.

Already other options were available to get this typical west-coast-style module into Eurorack.

TipTop clones like 266t, 266e, or modules inspired by its concept like Mutable Instruments Marbles

While I do have other modules on my want-list that I have to get first, this will probably end up in my rack at some point... next to it's precursors A-149-1 and 2.

Those were a lot of fun to experiment with and I expect this will be a lot of fun too.

Source and more info:
https://www.doepfer.de/A1493.htm

About Last Weekend: Solar Vibes Festival @ SuperChill

As soon as i opened my cardoors at arrival and heard the bleeps and chirps from Estroe blown my way by a light breeze I knew it was going te be a good day..

Estroe Live

I had a fun afternoon at the Solar Vibes Festival @SuperChill last saturday. 

The synth-event, organized by Ricardo Verschut (Tectonia), was located in the middle of nowhere on a small and cozy farm just outside Leusden... 

On a small improvised stage under a roof of solarpanels Ricardo presented an interesting lineup, with a good mix of different styles.

There was plenty of room to sit and/or lie down in the dry grass for the small crowd of around 60 spectators/ synth enthousiasts. 

Ron Boots with Harold van der Heijden on drums

Sadly I missed Skoulaman's performance, but I was just in time to see a big part part of Estroe's experimental/ ambient set. 

Synth-legend Ron Boots played some new tracks in his well-known Berlin-inspired style, accompanied by Harold van der Heijden live on drums.

Spectators enjoying the sounds of MAHU's set

After his performance it was time for MaHu's original and inspiring sound-collages.

A crisp and clear solo set by Raaf (RaafModular) on his modular followed.
I found out afterwards that my niece is already a fan of him.

He has a pleasing style, melodic and technical, appealing to most people on the field, from purists to even the random visitors that also stopped by at the festival to have a listen.

The vibe was very picnic-like during the whole afternoon, the location even had decent festival-food for reasonable prices and the people seemed to enjoy themselves a lot.

The Soulmade System and Tectonia (who organized this event) both  delivered solid sets and soundscapes while some darker clouds were getting closer. The swallows even seemed to do a little dance above the captivated crowd but luckily most of the clouds drifted away without leaving much rain.

RobotPoolParty

The day ended surprisingly with an more uptempo and eclectic set from RobotPoolParty.

Some already know Jaïr Darnoud (1998) from his hip-hop act 'Rens, Jaïr & Ome Uncle' and under the name 'Groovegod Jaïr Darnoud'.
Robbert van Zuiden (1988) used to play in bands and has been actively working with modular synthesizers in recent years.
He told me he also designs modules under the name Lucid Modular and working on his first module release 'Hey Bro, help me out!' , a specialized sequencer controller for the Moog DFAM and other 8-step sequencers.

In the past year you could have seen them performing in and around Amsterdam, but it was my first time seeing them.
Jaïr en Robbert have great chemistry on stage and their style is a unique mix of punchy beats, distorted dub, their own alternative groove and influences of Surinamese Kaseko. 

It was good to see how their energy reflected to the audience and finally made quite a few get up and do a little dance...Animistic Beliefs... eat your heart out... this is going to get huge!

It was a perfect way to end the day while the sun was slowly fading away . 

It was a pleasure seeing and meeting some of these artists as well, although I didn't get to speak with everyone. I would like to thank Ricardo for giving some extra info this event at this special location.

There are more modular events like this coming up in the near future.
This next Saturday August the 3rd, for example is Modular On The Spot at an old Bunker/Fort in Maarsseveen

Please follow and support all artists on social media.

__________________

More RobotPoolParty:

Check out their set from last year at Paradiso 

and find them on https://soundcloud.com/robotpoolparty_com

ADDAC System 320 Servo w. demo by Electrum Modular

ADDAC, the french company is known for it's wide range of alternative ways to control synths...

I am a big fan of the concept of their 210 Open Heart Surgery module that they released already over a decade ago.

This one is inspired by Neil Young’s Whizzer (a box with servos that sat on top of his fender amp and allowed him to control the pots from his pedal board. ), 
Using a Servo motor-controlled method they created a 4HP Eurorack module to control any knob that doesn’t have a CV input, while also possible to use for other gear as well (within certain distance constraints).

This motor is controlled by a microcontroller that also receives an incoming CV voltage from 0 to +5v and lineary converts this voltage range to the 270 degree Servo motor range.

Using a spring wire and metal couplers the motor shaft is then attached to the target knob to be controlled which will turn as the Servo turns.

Ranges can be set with 2 knobs [MAXIMUM ANGLE] & [MINIMUM ANGLE] further allow to control the “sweet spot” of the target knob, setting a smaller Servo range. 

Raising the [MIN ANGLE] knob above the [MAX ANGLE] knob inverts the Servo range.

The module is compatible with most common potentiometers used in Eurorack: 6mm shaft’s potentiometers and tall trimmer potentiometers.

For pots using knobs they will need to be removed in order to attach the connection wire coupler. 

Do not use this system with rotary switches, they will cause too much stress on the small motor! 

Video: When modules grow limbs: ADDAC's Servo - by Electrum Modular

Uploaded by Electrum Modular
"Checking out Servo, a unique new module from ADDAC Systems. 

It can turn knobs or trim pots on a modular, synth, pedal, mixer, or anything else that’s small and cylindrical and that lacks a cv input. 

Perfect for when your hands are busy doing other things, or for when you want slow LFO-style modulation, or for when you want super precise stepped adjustments."

Latest Electrum Modular album: https://smallchanges1.bandcamp.com/al...

More info and manual HERE

ErrorInstruments Kharper EuroRack Electronic Harp

Two weeks ago, Paul Tas from ErrorInstruments released the Kharper Eurorack Module, built in collaboration with This Is Not Rocket Science (TiNRS)

The "Kharper -emuharphonica- Eurorack" is a kind of electronic harp, with 4 touch - and position- sensitive 'strings' on the frontplate of the module.

Every string is a voice. The strings are built out of two touch strips with an LED bar in the middle, showing you what kHarper is doing. 

Each string has a knob on top to set the tone and a CV -in below. You can also patch in a gate to pluck the string

Inside is a microprocessor that uses Virtual Modelling models to recreate different versions of the Karplus-Strong algorithm.

The Karplus-Strong algorithm, also called Karplus-Strong string synthesis, is a way to make sounds that are like plucked or hit strings, and even drum sounds too. It was created in 1983 by Kevin Karplus and Alex Strong. The method uses a short sound loop with a filter to repeat a small sound wave, which helps create a string sound that feels real.

Video: Kharper eurorack explained

Source: errorinstruments paul tas

I was already intrigued by the first demo's I saw earlier this year, and so far I love the sounds that i've heard of it from several sources that were lucky to get one from the first batch...

A wide range of sounds and soundscapes can be created, from spacey piano-like and harpy sounds.

It can also make percussive African drum-like sounds and even much more extremer noises...  ultimately you can push this module even leading to clipping, with cut-offs and distorted noises that even don't seem to belong there... the interesting area where even the calculations become unpredictable... lol

The Kharper is a 18HP wide skiff-friendly Eurorack module, but it can work as a stand-alone version too, powered by the USB connector on the back.

Via this connector you will also be able to download new sounds, algorithms, or even full alternative firmware. " In the future, there could be: • Traditional octave tracking • Different quantization schemes • Ambient or generative patches Or more experimental warm or noisy • New forms of sound design — all possible through open-source updates"

The Kharper comes with 9 (3x3), already impressive sounding models but in the future certainly different models will be downloadable.

INPUTS:

- MIDI in
- STRUM is a gate in that will strum all four strings
- Pond/River/Ocean - choice of sound engine
- Herring/Koikarp/Dolphin - choice of sound engine

The Tone and Decay of the selected sound engine can be tweaked with a knob or via CV.
All strings have a knob and CV in for tone and a trigger gate input to pluck the string see demo

OUTPUTS:  

- Control output Gate and CV

- Left/Right audio output

The first batch is already sold out
The kHarper will be available again in September. 

If you’d like to reserve one, email studiopaultas@hotmail.com

and/or check out  @rocket_not and @errorinstruments for updates

Modular On The Spot, 3rd of August, Maarssen NL

Another modular synth-event that is taking place soon is the Summer edition of Modular on The Spot NL.

Modular on The Spot-NL is the Dutch version of the much acclaimed (open air) event for all modular music performers and their audiences.

Originally Modular On The Spot was an outdoor modular synth performance event that was started in Los Angeles by modular artist and skateboard photographer Eric “Rodent” Cheslak with bass player and modular musician Bana Haffar.

The idea came about on a camping trip to Arizona in 2014 where they set up a generator, speakers, and a modular synth at an off grid location in the middle of the desert. 

Since then, that version has grown into a free, monthly, picnic-style gathering that has been adopted by modular aficionados across the US (...and beyond (red.))

It's open to the public and offers a laid back and expansive listening environment... 

Modular on The Spot events are now taking place all over the world and the community keeps on growing. 

I believe this is already the third edition of MoTS on this location, an old Fortress/ Bunker near Utrecht. A beautiful spot... I hope the weather will be nice.

The line-up will be announced later.

Keep an eye on their social media for more: https://www.instagram.com/mots.nl/

August 3, 2025
Fort Maarsseveen
Herenweg 3, Maarssen

Free Entrance

The aim is at playing in the open air but can move inside if there’s a chance it might rain.

Wanna play? Send an email to (tectonia@live.nl) 

Solar Vibes Festival NL, 26th of July, Leusden NL

There are a lot of interesting Modular events coming up in the Netherlands this summer, and since I recently moved to Hilversum, this event near me caught my attention.

I might go and have a look if I have the time and the right autistic moodset. the line-up looks promising and it's a cool looking location. Well they even name it 'SuperChill'...

Line-up: (Times are subject to changes)

13:00 - Skoulaman
13:45 - Estroe
14:15 - Ron Boots
15:30 - MAHU
16:00 - Raaf
16:45 - Tectonia
17:45 - The Soulmade System
18:45 - Robotpoolparty


Saturday, July 26, 2025 at 1:00PM CEST 

Langesteeg 2, 3831 RZ Leusden, Nederland

Admission is Free! 

More info at:
www.facebook.com/people/Solar-Vibes-festival-NL

and on their Instagram

Synth Legends Livestream on 20th Anniversary of Bob Moog’s Passing

The Bob Moog Foundation is hosting a special livestream on YouTube of a 2005 panel featuring synth legends Bob Moog, Tom Oberheim, Dave Smith, and Marcus Ryle, moderated by Roger Linn.

During the one-hour and thirty-eight-minute symposium, all four innovators reflect separately about their unique histories and innovations before the group answers a series of questions collectively. 

The event, originally filmed in front of a live audience, was later released on DVD in limited quantities.

This is the first time it will be aired in its entirety, with masterful audio enhancement of the camera mics provided by Harold LaRue Mastering.

It was Bob Moog’s final public appearance before his passing, and it’s being broadcast in full for the first time on August 21 at 8PM EDT, marking the 20th anniversary of his death.

More info HERE

PatchPierre Studio Update Spring 2025

Hi everyone.... it's me again
This last year i re-located my studio (hopefully for the last time) , rewired and updated everything, and it looks like i am almost ready to record some stuff again.
For personal use and for the blog of course :)

It's been 15 years since I first started posting here...
This year i will return to posting on a more regular basis.

By taking one day off from regular work every week, I can focus more on making music, little DIY projects and keeping you all updated in the blog.

Recently I found out that there are still around 10.000 pageviews per month over the last half year without even posting anything here... 

My blog-archive (of over 600 blogposts) still seems to be valuable to readers, and I still get many positive reactions.

In the last weeks I checked if the links on the blog are still alive and repaired them where necessary. 

It's a work in progress i guess... Let me know when you find any dead links.

My TB-303 has a new best friend, the Dtronics DT-303

I only bought a few new Eurorack modules and some other equipment in the last years that i haven't written about  yet, and I do have my eye on a few other Eurorack modules that I will order and write about soon.

Oh and I need a case... 

I also hope to catch-up with all the Doepfer modules that were released over the last 5 years. 

My journey continues and I hope it can inspire more people to make even more inspiring music.

I will also maintain showcasing new video's I find on YouTube that I find interesting enough for you to read. 

There are a lot of upcoming new content creators out there that use some extra exposure... 

and/or there are some very good older ones that can explain stuff much better than I can :) 

My new studio-setup is now almost completed and has been expanded with an Arturia Beatstep Pro, Roland Boutique VP03 and an Akai MPC Touch sampler.
A perfect setup for the late 80s Electrofunk Hiphop and early Techno stuff that I like to do...

My main live setup

The main live set-up is basically 808/909drums

from the Novation Drumstation, sequenced by a
BeatStepPro that also controls 2 A-100 System patterns and SYNCs the TB-303.

The VC and Gate out from the TB go back into the Eurorack and create a doubled 303 voice.

The new Roland VP-03 Vocoder is great to create those old school electro-robot vibes and has some real nice strings with easy adjustable attack- and release-sliders.

The Elektron MachineDrum is in SYNC with the rest and provides extra percussion with easy hands-on tone control during a performance.

To me this is perfect for creating stuff on the fly and for working out quick ideas.

My MPC (not in the picture) is rapidly turning from 'just a sampler' with cool VST instruments and effects into a full DAW with the latest 3.5 Public Beta update that came out last week.... but it's not available for my MPC (Touch) (yet)

The Cubase 14pro demo-version that i am testing at the moment feels very close to the new workflow on the MPC, so i might upgrade to a new MPC for everything, as soon as they announce new hardware and they get their software fixed. This new software was not ready for release in my humble opinion ;) 

You can expect new blogposts pretty soon I guess. 
I hope you will look forward to it as much as I do and perhaps you will show some support by re-tweeting/re-posting what you like most.... Thanks in advance! xxx

Pierre / PatchPierre / NetPierre

Serné Tone and Texture: A New Step Towards Our Future

I am proud to announce that the brands and activities of  

**NetPierre**, **PatchPierre**, **PatchPierre Studio One**, 

and various other audio services will now operate under the umbrella name

**Serné Tone and Texture**

 

This change reflects our vision to grow as a strong and recognizable brand that stands for quality, creativity, and innovation in the world of audio and technology. 

 

This restructuring allows us to consolidate our services and expertise, taking them to the next level.

Whether it’s studio recordings, modular synthesizer inspiration, or high-quality audio production, under Serné Tone and Texture, we provide a comprehensive and consistent experience that meets the needs of our clients and the demands of the future.

 

The new name and identity mark not only a fresh start but also a reinforcement of our core values.

We believe in creating a unique balance between tone and texture – a vision that is reflected in all our products and services.

This focus remains our guiding principle as we continue to adapt to the dynamics of an ever-evolving industry.

 

With Serné Tone and Texture, we are building a future where innovation, passion, and craftsmanship take center stage.

 

We thank our loyal customers and partners for their support and trust.

 

Together, we look forward to an inspiring new chapter full of opportunities and creative possibilities.

 

Pierre Serné - Tone and Texture - Hilversum - The Netherlands