Many members of the group congratulated and thanked him after seeing and hearing him about the early beginnings of the Eurorack standard in the IDOW Documentary
A few people even compared his work to that of Bob Moog and Don Buchla,
but as always, Dieter stayed humble:
I Dream of Wires: Hardcore Edition |
"...I would really not place me on the same level with Bob Moog or Don Buchla.
The start of the A-100 was more a "copy job" than a new technology.
The first modules were nothing but copies of the (Doepfer) MS-404 sub-circuits and the MS-404 had its roots in the famous Moog transistor ladder filter and a common VCO circuit.
I think my main idea was to make an analog modular system affordable and to use a mechanical format (now called Eurorack) and a bus concept that was not too expensive (ribbon cables instead of fixed PCB dimensions as used in the industry standard).
This mechanical format was already an industry standard at this time in Germany.
But I really never imagined that such a huge range of A-100 compatible modules would be ever on the market (Andreas Schneider of Schneiders Laden in Berlin mentioned recently that in the meantime more than 50 manufacturers and more than 800 modules are on the market and that they have a bit lost the track)."
Personally i think Dieter underestimates what he has already done for the Eurorack community.
The start of the A-100 was more a "copy job" than a new technology.
The first modules were nothing but copies of the (Doepfer) MS-404 sub-circuits and the MS-404 had its roots in the famous Moog transistor ladder filter and a common VCO circuit.
I think my main idea was to make an analog modular system affordable and to use a mechanical format (now called Eurorack) and a bus concept that was not too expensive (ribbon cables instead of fixed PCB dimensions as used in the industry standard).
This mechanical format was already an industry standard at this time in Germany.
But I really never imagined that such a huge range of A-100 compatible modules would be ever on the market (Andreas Schneider of Schneiders Laden in Berlin mentioned recently that in the meantime more than 50 manufacturers and more than 800 modules are on the market and that they have a bit lost the track)."
Personally i think Dieter underestimates what he has already done for the Eurorack community.
Doepfer was the first brand that brought affordable analog synthesis within everyone's reach and inspired a whole generation of new Eurorack manufacturers.
What is not mentioned in the IDOW Documentary is that he used this synthesizer-format for the first time on the Doepfer Sound Sampler in 1984, read all about that HERE
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