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Showing posts from January, 2013

MAQ16/3 On/Off Switch Modification by fixed1t

Seriously... why do some manufacturers still build equipment without a proper on/off switch?

It looks like Malcolm Dixon AKA fixed1t has tackled the problem that a lot of people seem to have with the Doepfer MAQ16/3 Analog Sequencer not having a power switch on the front panel.
He wrote an interesting post about how he added an on/off switch to the frontpanel of his black MAQ16/3 on his new blog ( find blog-post HERE), and he even made an explanatory video with it.

Video: DOEPFER MAQ16/3 Analogue Switch Modification
" The DOEPFER MAQ16/3 Analogue Sequencer has no front panel switch and its been a constant source of hassle having to unplug its Wall-Wart power supply at the back.
Also pulling cables at the back of the rack constantly unplugged it.
I could take it no longer and decided to put a power switch on the front and one which looks like it should be there.

The Mod took a few hours to do (safely) but works a treat.
I decided to video it from my phone.
Let me know if you need …

Modulator Systems MS101-R(a) Demo

More weird Eurorack controllers, this time by Modulator Systems in London, a company that makes and sells many interesting accessories for Doepfer A-100 and compatible analog synthesizer systems.

Video: MODULATOR SYSTEMS MS101-R(a) DEMO
" Demo for the Modulator Systems MS101-R(a) Dual Momentary/Attenuator Remote.
This is a small remote control handset suitable for use with Doepfer, Analogue Solutions, Exclusively Analogue and other modular analog synthesizers.  It offers two momentary buttons and one attenuator, around a metre of cable and three pairs of inline mini-jack sockets to be patched into your modular synthesizer.  You can patch modulation through the attenuator and control its depth, patch a triggering LFO through a momentary to trigger an envelope in manually played patterns, create occasional ring modulation by patching a fast running LFO to the filter through a momentary, or anything else you can imagine."

The MS101-R(a) sells for 39 UK pounds plus mailing anywh…

Doepfer A-196 PLL Tutorial Videos by Raul Pena

Raul Pena is back with a new A-100 tutorial series, this time all about the A-196 Phase Locked Loop (PLL) module.
- Its a slightly different type of series this time, Raul is asking for feedback and may do alternate versions.
A more detailed intro to the series and notes can be found HERE
Video 1: Doepfer A196 PLL Phase Locked Loop Basics

" Beginning of a series exploring the basics of the Doepfer A196 PLL Phase locked loop module. Video discusses understanding basic layout of the module and general layout. Audio demonstrations begin in next part of series "Experiments with the Doepfer A196 Phase Locked Loop-VCO and Comparator". Sound and Video by Raul Pena."

Video 2: Doepfer A196 PLL Experiments with the Phase Locked Loop- VCO and Phase Comparator Part One

" Beginning of a series exploring the Phase Locked Loop by Doepfer.Experiments with the Doepfer A196 PLL (Phase Locked Loop)- VCO and Phase Comparator. Part One of Two. For Basics on the Phase Locked Loop…

NAMM 2013 Preview

NAMM 2013 in Anaheim, California will kick off tomorrow.
From January 24-27 many exhibitors from all over the world will show their latest in music technology.

Some manufacturers already announced the new synthesizers that they will be display at NAMM;
I believe i am the most excited by the previews that i've seen from the Moog Sub Phatty, a new analog synthezizer from Moog (around 1100 USD) and the rumors of a Korg MS-20 re-design.
According to this rumors Korg will show a revamped Korg Legacy MS-20-style controller, but with fully analog circuits, featuring mini 1/8"  instead of 1/4" jacks and equipped with MIDI and MIDI over USB.
The rumored price will be around 800 USD.

I haven't seen many spectacular new eurorack announcements yet (besides the new Pittsburgh Modular modules and cases, and the 4ms modules), but there will probably be some new and interesting devices out there.

The Bob Moog Foundation (BMF) will also be at NAMM 'to celebrate the indelible nat…

A-142-4 plus Expander Demo by Hawklord2112

Regular video-uploader and contributor to the blog Hawklord2112 uploaded another nice new video.

He bought himself a new A-142-4 Quad Decay module and also an extra expander module for it.
Each of the 4 sub-units of the A-142-4 has a pin header with two pins available.
When the two pins are shortened (e.g. by means of a jumper on the PCB board or a toggle switch connected to the two pins) the corresponding sub-unit changes to a loop mode.  In this mode the unit triggers itself like an LFO..

The expander is made of a pre-manufactured panel, punched for 8 sockets, almost identical to the A-180 front panel but without the printing.
Those panels are very useful for DIY-projects like this.
In his video he explains how it all works.

Video: A-142-4

"Basic demo of the Doepfer A142.4 Quad Decay generator and DIY breakout expander"
Uploaded by hawklord2112

A-128 Modification by Ernst van der Loo

Dutch Sound Designer, Engineer, Composer & Performer Ernst van der Loo posted a few pictures of his latest DIY-project in the Doepfer A-100 Facebook group.

The project involved creating 15 individual outputs for his Doepfer A-128 fixed filter bank.

Module A-128 (Fixed Filter Bank) is a filter bank, made up of 15 parallel band pass filters, all with fixed middle frequencies and bandwidth.
Each band pass filter has its own amplitude control knob, with which that frequency band can be attenuated.  The bandwidth of each of the filters is approximately half an octave.
The signal at the original output of the A-128 contains a mix of all the filters, depending on the position of each one's amplitude control knob.

Ernst used an 8HP blind panel to create the expansion board for his A-128, drilled 15 holes, mounted the mini-jack-connectors and connected them with the correct terminals/outputs on the A-128 PCB board.
There is even the choice between pre-attenuator terminals (fixed volum…

Doepfer Sound Sampler (1984)

On a random search on the internet for rare Doepfer products i came across this module in an old Matrixsynthpost:
This Doepfer Sound Sampler module (8 bit voltage controlled sampler with interface and sampling software for Commodore 64) was made by Doepfer in 1984.

The Doepfer CV/Gate controlled modular Sound Sampler system was available as a kit between 1984 and 1990.
The complete system was also described in detail in the book written by Dieter Doepfer and Cristian Assall called "Sound Sampler" (published by Elektor ISBN 3-921608-44-9) in 1988.
This book was dedicated to building an 8-bit modular sampler that could be edited with a Commodore 64 home-computer.
All schematics are in the book, with all PCB designs and front-panels for all modules: input, memory/sampling card (with CV/Gate), loopcard, C-64 interface and compressor/expander.
Every sampler module had its own memory.
There was software available that could handle sampling, FM synthesis, Wavetable synthesis, Four…

LaserLoper by Gijs Gieskens

As you all know, besides my interest in Doepfer modules i also love all other original eurorack concepts.
This one popped up on the web today, a creation of Gijs Gieskens (http://gieskes.nl) from the Netherlands.
(...also my home-country)
His latest module is a random noise generator, only a bit different than other ones.
This one is based on a small hourglass and laser technology.
As Gijs describes it on his website: " The laser-beam seems to get bent by the falling sand (if it is sand) and shine onto the LDR (Light Dependent Resistor or Photoresistor), generating a random noise signal."

Video: Laserloper
More info at http://gieskes.nl/undefined/eurorack/?f=laserloper
(He also sells stuff... and there are many other cool eurorack creations on his website
- check out the VCOFan for example)
Find Gijs on Twitter at https://twitter.com/g1j5

BookTip XIII: Analog Days: The Invention and Impact of the Moog Synthesizer

I have had 2 whole weeks off from work this holiday season, so i had enough time to read a few interesting synth-related books.

The first one i read was 'Analog Days: The Invention and Impact of the Moog Synthesizer' by Trevor Pinch and Frank Trocco.
It's a very interesting book (368 pages) that was published in 2004, and that tells the story about Robert (Bob) Moog, synthesizers from the mid-60s to the mid-70s in general and about the Moog company and its products.

The book has a foreword by Bob Moog himself (he passed away a year after the publication of this book) and the writers have spend a large amount of time and effort into making it.
The book is filled with stories by musicians, technicians and other pioneers from that era where everyone seemed to share a same passion for analog synthesis.

The list of interviewed people for this book is too large to mention, but it includes people like Don Buchla, Suzanne Ciani, Keith Emerson, Rachel Elkind, Tom Oberheim, Alan Pe…

Random Video: Jamming on Doepfer A-100 Modular

Found on YouTube:
A short jam showing the possibilities of a Doepfer A-178 Theremin Controller and an A-198 Ribbon Controller combination.

Video: Jamming on Doepfer A100 Modular
" Edwin (Duo Blank) jamming on Doepfer A-100 modular synth triggering sounds notes through theremin and ribbon controllers."

Uploaded by duoblank

Theremin: Magic Ceramic Custom Synth

Happy New-Year everybody!
I hope you all had a great holiday season...
I found this one on the web, but it's not really new...

Video: Magic Ceramic Theremin Lamp Doepfer A-178
" The first test of the Magic Ceramic Theremin lamp.  It was developed as a peculiar piece for the opening of the Exhibition of several ceramists in Gallery Artibrak. from November until 28th of December 2011. A Theremin is normally step-less, but in this case an A-156 is used as a quantizer..

Small explanation for those who are not familiar:
In this magic piece of ceramic two antenna's are integrated.  One antenna for the volume and one for the pitch.  The instrument does not have to be touched.  The volume can be controlled by your left hand (when approaching it the volume increases), the pitch can be controlled by your right hand (when approaching it, the pitch of the sound goes up).   By approaching the antenna's you are influencing the potential difference.  Just like the antenna…