Amsterdam Dance Event ADE Lab 2025

Amsterdam Dance Event is just around the corner.
Every year it transforms the city into a buzzing mix of conference, festival, and networking hub, where more than 2,500 international artists come together.
For me, the highlight will probably be the ADE Lab — four inspiring days at the cosy Westergas terrain in Amsterdam.

ADE 2025 takes place from October 22—26, 2025
This year, ADE Lab is expanding into its very own Lab Village, a creative playground dedicated entirely to sound. It’s a multi-day program where sound synthesis, audiovisual art, and innovative ways of making music are shared, demonstrated, and developed. Expect everything from artist and engineer talks, to immersive AV installations, live performances, DIY workshops, and the unveiling of new gear.

The program spreads across several spots at Westergas:
WestWeelde is the industrial heart of it all, where big ideas stick. Here you’ll catch plenary talks and masterclasses, then retreat into the cosy Lab Living area to recharge, meet peers, or simply take it all in.
Radio Radio, the iconic nightclub, will transform into a workshop playground. You can roll up your sleeves in the hands-on sessions or drift into the vinyl listening bar, where the turntable itself becomes the teacher.
Pacific Amsterdam is the place to dream big. This studio-like club will host intimate talks with some of the most influential names in the game. Plus, the Gear Test Lab and Workshop Room will let you try the newest tools yourself — brand reveals are still under wraps, but I can’t wait to see what’s coming.

Me on the Verbos system

The last time I visited ADE Lab was back in 2016, when it was still called ADE Sound Lab and took place at De Brakke Grond and the Compagnietheater. 

I went with my good friend (DJ) Guido, and had fun wandering through booths from brands like Ableton, Moog, Pioneer DJ, and Roland. 

That year, Roland had just introduced their Boutique series — the TB-03 Bass Line, VP-03 Vocoder, and TR-09 Drum Machine. 

The VP-03 really stuck with me... I even own one now...

With Daniel from
LiveStock Electronics

The European eurorack distributor Alex4 was also there, showcasing Doepfer, AQA, and BirdKids, among their other brands, while Elektron and Erica Synths brought their gear-heavy setups, including an impressive Eurorack system.

I played with the Verbos system and had a great chat with Daniel from LiveStock, a Dutch modular manufacturer that sadly closed its doors in 2022. 

To close the day, I headed back to the Compagnietheater for a showcase of Dutch modular artists — an unforgettable night of sound exploration.

And now, years later, ADE Lab is bigger than ever. I can’t wait to dive back in.

👉 Get your tickets and i hope to see you at Westergas!

Allert from SonarTraffic performed in the evening

Doepfer A-184-2 Voltage Controlled Crossfader / Triangle-to-Sine Waveshaper

More News fom the Superbooth event in Berlin (March 31st - April 2nd, 2016)

The A-184-2 Voltage Controlled Crossfader / Triangle-to-Sine Waveshaper is the combination of two functions and planned primarily as an expansion module for VCOs or LFOs (e.g. A-110-1, A-110-2, A-145, A-147-2).

A-184-2

The upper section is a very precise triangle-to-sine converter (thank's to Tim Stinchcombe who recommended this circuit).

It can be used to convert any triangle waveform into a (nearly) perfect sine. 

The converter is much better than the simple diode converter used in the A-110-1, A-111-1, A-145 and A-147-2. 

Two trimming potentiometers are used to optimize the sine shape. 

The converter should be assigned to one VCO or LFO because the trimming potentiometers have to be re-adjusted if the input level or DC offset of the input signal changes. 

If the trimming potentiometers are deliberately mis-adjusted it can be used also as a waveshaper for non-sine waveforms (e.g. sine-shaped at the top of the signal and a peak at the bottom, even voltage controlled by applying an additional voltage to the waveshaping circuit, "circuit-bending" notes will be available).

The lower section is a Voltage Vontrolled Crossfader. 

It has two inputs A and B. The two signals are mixed together with variable percentage. When the manual control CF is fully CCW only signal A appears at the CF Out socket. When the manual control CF is fully CW only signal B appears at the CF Out socket. In the center position of the manual control both signal appear with the same level.

In addition a control voltage input CV with attenuator is available to enable voltage control of the crossfade.
Two LEDs display the crossfading shares of input A and B.
The crossfader uses two high quality VCAs (SSM2164). Inputs and outputs are DC coupled. Consequently it can be used for audio signals and slowly varying control voltages as well.

The sockets of the upper section (triangle and sine) are normalled to the inputs A and B of the crossfader section. That way the crossfader is used to fade between triangle and sine of the VCO or LFO connected to the waveshaper.

If other signals are plugged into the input sockets A and B these signals are used for crossfading.

The main application is to fade between two different waveforms of a VCO or LFO, but the module can be used for any other signals too as the waveshaper and crossfader sections are independent apart from the normalled sockets.

4 HP wide, Price: about Euro 80.00
Available around spring/early summer 2016 

This is a preliminary information about the planned module. The features are still subject to change and all specifications are still preliminary without any obligation !

Source: http://www.doepfer.de/home_e.htm

Meet the Maker - Modular Synths panel with 6 Eurorack Manufacturers

At this year's Winter NAMM show, Vintage King Audio presented the TEC Tracks panel: "Meet the Maker -- Modular Synths".
This short (35 minutes) panel discussion, distributed by Sound On Sound, brought together 5 well-known modular synth makers to talk about the booming Eurorack format.

Panelists included: Dieter Doepfer (Doepfer), Dan Green (4MS), William Matthewson (WMD), Ryan McGuire (Vintage King moderator), Tony Rolando (Make Noise), Brandon Ryan (Roland) and Gene Stopp (Moog Music)

They talked a bit about the history of the Eurorack standard (with it's US-based Inch-metrics... lol), and the influence of live-Eurorack performers on new modules.
William Matthewson from WMD offered an interesting insight of what to expect in the future with new controls, like tactile things, body movement, gloves, the integration of virtual reality and other new futuristic techniques that can convert all kinds of signals into control voltages.

Interesting to hear was also the process behind the whole module-design and where Dieter shared his point of view about the pros and cons of the community-input, mentioning the importance of the Yahoo A-100 Usergroup (and his annoyance about it sometimes) and the creative input from live musicians like the icelandic band GusGus when it comes to developing new modules.
It reminded me of his work with the guys from Kraftwerk in the past, with the development of the Schaltwerk, the vocoder and other projects...

Doepfer in Black... Vintage Style

Exciting news from Doepfer for this upcoming NAMM2016.

First this:
Finally they decided to release modules featuring black frontpanels with white print and vintage style knobs.
The result is truly stunning... i would love to change all my silver frontpanels rightaway :)
It will also look great with their latest series of Special Edition modules.

Doepfer A-100 System in black, with vintage-style knobs (click to enlarge)

Imagine this with their new colored knobs too... i'm very excited for this :)

So far for these modules vintage versions are planned:
A-110-1 Standard VCO, ƒA-110-2 Basic VCO, A-114 Ring Modulator, ƒA-118 Noise/Random, A-120 24dB Transistor Ladder Lowpass Filter, A-132-3 Dual Linear/Exponential VCA, A-138 Mixer, A-140 ADSR, A-147-2 VCDLFO, A-148 S&H/T&H, A-180-2 2x4 Multiple and the A-190-3 USB/MIDI-to-CV/Gate Interface.
If there are sufficient inquiries they will offer the black panels and vintage style knobs as spare parts.

There are also plans to offer more modules with black panels (e.g. the sequencer series A-154/A-155/A-156).

Each module (old and new ones) will be available in any case in the standard version (i.e. silver-grey aluminium with grey knobs).
But they will offer some modules also in the vintage edition (black front panels with black glossy vintage style knob with metal disc
at the top) or other Special Editions (like the black/yellow A-124 Wasp, the blue/white A-110-4 Thru Zero Quadrature VCO or the (upcoming) cream/black A-106-5). So there is no need to dispute. Simply order the version you prefer.

Angled view (click to enlarge)

After NAMM Doepfer will decide how they will proceed...
 
Update 22/02/2016:
Presumably in April 2016 these modules will follow as vintage versions:
A-112 Sampler, A-138b Mixer, A-154 Seq, A-155 Seq, A-156 Dual Quantizer, A-160-5, A-170 Slew Limiter, A-188-1 BBD and A-199 Spring Reverb.

Likewise the Low Cost Cases A-100LC3, A-100LC6, A-100LC9 and A-100LCB will be available in black coated versions from April 2016. 
The above picture shows the vintage modules mounted into a black A-100LC3. 
More information, prices, picture, release dates will be available about middle of March 2016. 
The surcharges will be in the range Euro 45 (A-100LC3) to Euro 80 (A-100LC9).