I have decided to make a few short tutorials for the blog with relatively basic tips for your modular synthesizer.
The first video in this series shows how you can use an LFO as alternative 'Swing Generator'
I used a Doepfer A-145 LFO to show the principle.
The A-145 can do a great job as a (continuous) envelope generator, especially when using the reversed saw-tooth wave.
In the video the TB-303 is playing, the A-100 is playing the same pattern via the TB-303's CV Output.
The Gate from the TB-303 is fed into the Reset In on the A-145 so each time this module receives a Gate signal, it starts a new cycle.
Slow LFO cycles (Low mode) will result in longer envelopes and faster LFO's will result in interesting (swinging) rhythmical discoveries.
Video: Using an A-145 LFO as Swing Generator by PatchPierre
" Short PatchPierre Tutorial
Equipment used: Doepfer A-100, Roland TB-303, Machinedrum "
In December 1994, Doepfer released the Doepfer MS-404
The MS-404 is a MIDI analog synthesizer with a 24db resonant filter that Dieter Doepfer intentionally created for his own personal pleasure earlier that year.
MS-404 close-up - Picture via Matrixsynth
In the summer of 1994 he created a monophonic analog synthesizer in a 19-inch rackformat / 1 unit high.
Although his module could do so much more than reproducing the sound of a TB-303, most consumers looked at it as an extended clone of the classic Roland TB-303 bassline.
Its two LFOs (that can modulate the single VCO) add a lot extra to the original 303 functionality.
Other extra features include a full ADSR envelope generator, noise, FM and PWM capabilities, an external filter input, CV/GATE interfaces, MIDI implementation and a glide effect.
The MS-404 can be played via MIDI but all parameters are controlled manually only.
The slide and accent effects from the TB-303 are possible on the MS-404 via glide control and it uses MIDI velocity for accent.
MS-404 Picture via Matrixsynth
The price was around 300 Euros (598 DM) and the module was released in a time when the demand for 303-clones was huge and many different manufacturers were building those; Future Retro 777, Syntecno TeeBee, Control Synthesis Deep Bass 9, and MAM MB33 were few competitors, to only name a few. (A large list of 303-clones can be found on Wikipedia)
In the beginning Doepfer only planned to launch 50 to 100 modules, but they received almost 500 orders in the first two months in 1995.
At the end of 1997 Doepfer had sold more than 3000 MS-404 units.
The last MS-404 was sold in March 2001, as the amount of inquiries was falling (from 100 items per month to hardly 10 items per month at the end of 2000).
The few differences between the 2 regular versions of this module are minor.
There were always rumors that the different versions of the MS-404 sound different, but there were never any changes in the MS-404 hardware.
Version 1 can not use MIDI sustain, but this doesn't have any effect on the sound.
The rare green version of the MS-404
(Picture via Marc C Young)
In 1997 approximately 100 limited edition synths (with a green faceplate and a printing 'Music Store') were sold as a 25th anniversary special for Music Store of Cologne, Germany.
I really like the recent uploads from YouTube user HOX808 from Berlin, Germany.
Focussing on modular analog synths and with their minimalistic approach these video's are simply amazing.
I posted 2 video's below, but be sure to also check out the older uploads by this user.
The first video is a minimal drum sequence, made with only the Doepfer A-160 and 2 A-161 Sequencer/Dividers, TipTop 808 Bassdrum, Snare and Hats drum modules, a touch of (TB-)303, a few samples and some kind of delay.
The second video also mainly seems to be about drums, but if you look a bit further, you notice that these are not drum-modules, but six (!) Doepfer A-112 8-Bit samplers in a row, and it looks/ sounds like the same TipTop drum-module were used.
Very original again, but what happened with the knobs?
The A-103 18 dB Low Pass filter (VCF6) is Doepfer's own 'TB-303 filter clone' ;
It uses a so-called transistor ladder with a slope of 18 dB/Octave as frequency controlling element.
It is very similar to the transistor ladder of the A-120 24dB Moog type Low Pass filter, but the ladder of the A-103 is a modification of the original Moog ladder and identical to the ladder used in the Roland TB-303.
The in -and outputs are very basic; Three CV inputs are available, and the sum of the voltages from these affects the filter cut-off.
And an audio in- and output are also available, with one level knob.
That is the same layout as the A-102 and the A120 so sadly there is no CV control over the resonance.
Luckily the resonance cán be adjusted with a knob, all the way up to self-oscillation.
And how does it sound?
I've always loved the sound of a real Roland TB-303 and the sound of it's filter.
This one sounds very nice too, it has that nice warmth in the lows, and the typical sharp edge when resonating, but don't expect that you can re-create a whole TB-303 with just this single module.
Some of the TB-303's other features, like the glide, accent and envelope modulation are missing here, and they (partly) give the legendary acid machine it's very original character.With some creative patching you should get very close to re-creating that original Acid sound...
I got pretty close by using my MAQ 16/3 for the sequence, and the A-160/A-161 Clock Divider/Sequencer combo for additional 'accents'. (You can add an LFO, or Noise for more random accents to experiment with / ,an A-142 VC Decay/Gate envelope is also a useful addition with CV modulation to CV2 of the A-103 to create basslines like that* )
Overall this filter module can be a nice addition to your Eurorack. (7/10)
Video: Doepfer A-100 does TB303
* thanks to Jakob Paulussen (@Jakobsweb) for that last tip and the kind permission to embed his video here. More info on the video after the break:
