Thursday, February 07, 2019

The Doepfer - Kraftwerk Connection

German Krautrock legends Kraftwerk and Dieter Doepfer have worked together for a long time.
As the only one in its industry Dieter Doepfer even may use their name for advertising purposes.

Florian Schneider (Kraftwerk) and Dieter
Dieter: One day i got a call from a Mr. Schneider who wanted to know if we could rebuild a special keyboard into a MIDI keyboard.
The caller was Florian Schneider of Kraftwerk. Schneider experimented much with speech synthesis, and had found a keyboard that was triggering speech sounds (phonemes) in place of letters.

Doepfer's miniature MMK2 keyboard for Kraftwerk
After the modification by Doepfer, Schneider was able to send signals to a sampler in which the sounds were stored.
In the end, the Kraftwerk operator could connect the phonemes with a sequencer into sentences.
Until it worked, Schneider had come several times to Munich, where they got to know eachother better.
Around that time, Dieter installed a MIDI-retrofit on their old EMS vocoder.
Also in the construction of the MAQ 16/3 analog sequencer with MIDI output, the company worked with the musicians.
Florian Schneider was apparently quite involved with the development of the 16/3, being regularly sent updates to the operating system and giving his comments in return.

Dieter: "Since then, we are allowed to use the name Kraftwerk to the device. But we do not want to overdo things"
In 1996 Florian Schneider also wrote a review for a German music magazine 'Keys' about one of the Doepfer company's newest items, the A-100 vocoder module and even contributed a short demonstration of the units capabilities on the free CD that accompanied the magazine.

During 2001-2002 Morgan Karlsson asked Dieter Doepfer about his collaboration with KRAFTWERK:

" Our collaboration with Kraftwerk started many years ago as we made some special designs for them (e.g. the miniature keyboards they use on stage for Taschenrechner/Pocket Calculator and a special phonetic keyboard for voice synthesis).

"Designed in cooperation with the
German Band KRAFTWERK"
The first unit we built in cooperation with Florian Schneider was the MAQ16/3. We built some prototypes and Florian tested them and told us what we would improve and which features are not required.
So we went many times to the KlingKlang studio in Dusseldorf until the final version of the MAQ was complete.

A similar cooperation - but not as close as with MAQ - was made for the SCHALTWERK.
(Kraftwerk also used/tested with a Doepfer MOGLI on stage around that time *PP)

Rumors are that the Doepfer logo was (partly) inspired
 by this 1983 Kraftwerk album font

The next cooperation was the A-100 vocoder.
We tested all of the vocoders of Florian (and that's a lot) and compared them to our A-100 vocoder prototypes (the first versions with different filter designs in quantity and filter response types, e.g. 10 band passes, 8 band passes and high/low pass, 13 band passes and the final version with 13 band passes and high/low pass).
And so we found a very good compromise between price and sound.
Even the very high priced vocoders sounded not significant better than the final A-129.

We learned a lot about vocoders e.g. that a treble boost of the incoming speech signal is very
important for a good vocoder effect (is now included in the A-129-5).
All high priced vocoders imply such a treble boost but the customers is not aware of this detail as there is sometimes no remark in the user manuals.
We experimented together with Florian with a 32 band graphic equalizer to find the best treble boost for good speech recognition and implemented it into the A-129-5."
Sources:
Morgan Karlsson
Doepfer Keys interview (by the same Florian Schneider)

Tuesday, February 05, 2019

Video: The Secret Doepfer Files

I recently found these 2 older videos with Dieter Doepfer from video collective "Open Video Medien Labor", an open non commercial platform for video art.
As far as I know it is an open project - step by step - which could possibly finish with a Doepfer movie.
I like the way it is filmed anyway... but i have the feeling that it might become a looooong project.
I contacted the makers and hope to follow-up this blogpost with more info.

#07 Interview with HANS ZIMMER - A private conversation with Hans Zimmer and Dieter Döpfer
The Secret Doepfer Files from Open Video Medien Labor on Vimeo.
Hans Zimmer: "The reason why I like 'playing music' is because the word 'play' is there."
From https://vimeo.com/115523628

#08 Backstage Talk with JEAN MICHEL JARRE - after his concert at Philharmonie, Gasteig Culture Centrum in Munich 22.03.2008"
The Secret Doepfer Files 08 - Dieter and Jean Michel Jarre from Open Video Medien Labor on Vimeo.
Dieter Doepfer: "All the bread-and-butter analogue modules are done... most what can be done with analogue circuits is (already) available"
From https://vimeo.com/115544995


Monday, January 07, 2019

Dieter Doepfer Live at SchneidersLaden/ Berlin

    Dieter baked cookies (yes), gave a modular beginner workshop, did a presentation of his latest products and performed an interesting liveset. 
You can see the  A-197-3 VCO controlled RGB LED prototype in this video too (the dynamic LED control start about at 6:40)

Schneidersladen uploaded four videos of the evening - all worth checking out!