After several years of ideas, testing, and improvements, WMD has released Clutch, a new digital hi-hat module for Eurorack. It is designed to make expressive, detailed, and performance-ready hi-hat sounds.
Originally it was planned to be released under a new brand called AMMT, but WMD later decided not to continue with that name. The AMMT logo is still printed on the module as a tribute to the team that built it.
Clutch is a dual sample player made especially for hi-hats and layered percussion. It has two separate sample parts, so you can mix simple, classic hi-hat hits with a large collection of sounds stored on an SD card.
Layer A can be fully controlled with CV, which lets you create moving, changing rhythms. Layer B stays steady and reliable, giving you a solid base for your beats.
A CV Disable switch lets you quickly return to your basic settings. Clutch also includes built-in effects and a “Feel” control (inspired by the WMD Chimera) that helps create a more human, natural playing style by changing velocity, attack, and release based on triggers.
Clutch will be available worldwide through WMD dealers and directly from wmdevices.com today
WMD, based in Denver, Colorado, has been building electronic instruments and Eurorack modules for almost 20 years.
They are known for creating creative, performance-focused tools trusted by musicians around the world for their sound quality, reliability, and play-ability.
I'm Still Here... Not complaining, just explaining.
I’ve been dealing with severe headaches and migraines since I was around 12, as far as I can remember. It hasn’t always been easy, but over the years I learned how to live with it and adjust my life around the pain. The last five years have been a little more manageable thanks to a painkiller that usually kicks in after about an hour and fifteen minutes. Even so, I still rely on it at least eleven times a month.
But what happened about a month ago was different—outside of my “regular” routine.
glitch/ɡlɪtʃ/
A glitch is a temporary, often minor malfunction or defect in a machine, plan, or system. It can also refer to a brief surge or interruption of voltage in an electrical circuit. Examples include a computer error that causes a temporary malfunction, a physical problem that stops a machine from working successfully, or an unexpected interruption in a plan.
I was almost asleep when I suddenly felt an extreme, sharp pain, as if something snapped in my neck and the side of my head. Almost immediately, the tip of my left ear and the left side of my head went numb for a short while. The next morning, I woke up with pain in my left arm, and that pain hasn’t fully left me even now, more than a month later.
We’re still not entirely sure what happened. It seems likely that a blood vessel, internal or external, was temporarily blocked. There’s also a small chance it was a minor bleed. We’re still investigating and trying to find a clear cause and solution.
Because of the pain in my upper spine and neck, it’s difficult to sit upright for long or keep my head straight. My migraines have been almost daily, and my energy levels have been low. Slowly, though, I am recovering. It hasn’t been great for my overall mood, obviously, but I’m working my way through it.
Luckily, I was able to spend a week in the German Eifel region, taking things slow for a month. I even managed to finish building my DIY Eurorack case (the one I wrote about earlier).
I also ordered an Arduino UNO R4, so I’ve been diving into Arduino programming,because even when my head hurts, it’s still full of ideas.
Maybe that’s what caused all this in the first place…
And yes... my AKAI MPC Live 3 arrived! A worthy successor to my old MPC Touch, which needed replacing after Akai stopped supporting it.
A lot of my time was spent on diving deeper into my This Is Not Rocket Science Bopp and Steve eurorack module. This is no ordinary reverb, the range of possibilities keeps fascinating me.
Blog posts will return soon. I’ll catch up on some of the important instrument releases and events from the last few months, and I hope to get back again to a more regular posting rhythm. I also still have a few people I look forward to meet and/or interview before the year ends.
Thanks to the ones who reached out. I don’t want to sound dramatic, but honestly. I’m glad I’m still here.
Glitches happen for a reason, i hope to see you all soon again
In Nieuwegein (NL), ZeepLAB has slowly become the place to be for many live electronic musicians... real “knob-twisters” and “cable-patchers” with synths, grooveboxes and modular gear.
To continue the good work they started a crowdfunding campaign and need your help to maintain the location and support the performing artists...
Entrepreneur and musician René Voorberg turned part of the old Persil/Ecolab soap factory into an immersive stage where visuals and live sound meet. Sitting on cushions, visitors experience unique performances across ambient, downtempo, IDM, cinematic, glitch, melodic techno, drone and synthwave, a celebration of creating your own sound in an age of AI.
Together with CKV teacher Marco Tenkink, René transformed 140 m² of former locker rooms into a venue built from reused factory parts, theatre curtains and metres of cable.
Since October 2024 ZeepLAB has hosted concerts, album launches and community events such as Patchworks, Modular on the Spot and Bring Your Own Synth jam nights, with livestreams making the experience accessible to a wider audience.
ZeepLAB is a heartfelt investment, but it costs time and money.
Your support helps it survive until at least 2028/2029 – and hopefully beyond, as the area develops new creative spaces.
With your help the team can continue to:
– organise 10–15 shows per year
– keep hosting concerts on a donation basis
– host meet-ups and showcases
– run Bring Your Own Synth nights
– cover part of the maintenance costs
– give musicians a small expense allowance
Every contribution – large or small – keeps this unique venue for electronic music alive.
Yeah… I’m honestly a bit bummed that this year I had to miss what would have been my first Dutch Modular Fest. But luckily, DivKid made the trip to the Netherlands and captured it all in his own unique way.
One of the people guiding him around the venue was Bart Wolff from Voltage Control Amsterdam.
Bart is not only one of the hosts of Dutch Modular Fest, but he also organizes inspiring modular music events at Paradiso Amsterdam. In the video you can see how he leads DivKid through the WORM space, sharing the spirit of the festival.
DivKid’s report is a quick walkthrough of the festival location WORM in Rotterdam. It really gives you a feel of the atmosphere: the modular makers, the synth and soldering studios, and of course all the lovely people who make this community so inspiring.
Video:DUTCH MODULAR FESIVAL 2025
// a wondrous collection of modular makers, synth studios + lovely people, by DivKid
"Here's a video all about the Dutch Modular Festival for 2025 that's just happened with a huge collection of modular makers, synth studios, great people and plenty more. This is the first year the festival moves to Rotterdam into the venue WORM which is a cultural spot in the Netherlands with a whole range of related activity already going on before the festival moves in for the day. Check out some of the gear, people and stories in the video and links below to things mentioned in the video."
Sometimes new ideas don’t come from buying something shiny and new, but from simply looking around at what’s already there.
As I’ve been planning to create more content for the blog, I realized I needed a smaller, more portable setup to complement my ‘main’ Eurorack modular. Something I could easily pick up, move to the living room or outside, and experiment with whenever inspiration hits.
This weekend, I wasn’t able to go out much because of too much pain, so I decided to finally tackle a project that had been waiting in the corner for far too long: transforming my old, clunky Doepfer G6 rack (2 × 84HP) into a more portable case.
Yes, I know... there are already plenty of companies making beautiful cases ( Casefromthelake, 2egress, and so on). But this G6 had been lying around for ages, unsold, unused. And since I love recycling whenever I can... most of my art projects are made from reclaimed or leftover materials. It only felt natural to give it a second life.
From 84HP to 126 HP wide
I started dismantling the old rack, stripping it of its rails and panels. My original plan was modest: one row, 126HP wide.
But, like most of my projects, the idea grew while I was working on it. I cut one rail in half, connected it to another with a piece of threaded rod, and suddenly I had the width I wanted.
At first, I thought this would be enough for a small experimental rig. But then the big question came: where would I put the power supply? That’s when I noticed I could reuse a few more rails from the back. Why stop at one row when I could make it two? So instead of downsizing, I ended up with a larger, more flexible case; two rows high, 1 x 126HP plus one 42HP wide = 168HP in total, while still recycling almost everything.
Connection of the rails, side-view
The prototype front panel is now almost finished. The wooden top is in place, and I’m considering putting the whole thing at an angle for easy access. That part will probably be a story for another blogpost.
If I can find some nice wooden panels, the build should be finished in a few days. Maybe I’ll even paint this plywood case with a water-based color, but honestly, I already love the raw look it has now.
Sometimes staying home leads to unexpected creations, and I’m already looking forward to experimenting with this new recycled setup.
Almost finished front of the new portable case prototype
Soon after the last picture, I realized I’d made things harder for myself. Of course the power supply should go in the bottom row, so the top stays nice and deep for my modules.
...To be continued....
Check out my other modular case inspiration blogposts HERE
This blog would never have existed without one man: Dieter Doepfer, the mind behind the Eurorack format.
As we celebrate the 30th anniversary of Eurorack, I’m currently working on a deeper article about its fascinating history. But in the meantime, there’s already something special to share.
In 2024, Mylar Melodies sat down with Dieter Doepfer himself, alongside Holger Zapf, who is gradually taking the reins at Doepfer HQ.
The interview dives into the origins of Doepfer, the evolution of synthesizers, and of course, the future of Eurorack.
It’s a must-watch for anyone passionate about modular synthesis. You can find the video below— and don’t forget to follow Mylar Melodies on social media for more inspiring synth content.
Video: The story of INVENTING Eurorack: DIETER DOEPFER // Why We Bleep 55 by MylarMelodies
" A podcast about creating Eurorack modular synths in the 90s, collaborations with Kraftwerk, the 'red stripe' controversy (if you know you know) - in this episode we hear from Dieter Doepfer, in an interview at Machina Bristronica 2024, about how his Eurorack Modular format went from "Nobody wants that sh*t" to a blossoming and diverse industry 30 years later. This was filmed at the mighty https://machinabristronica.uk/ "
Amsterdam Dance Event is just around the corner. Every year it transforms the city into a buzzing mix of conference, festival, and networking hub, where more than 2,500 international artists come together. For me, the highlight will probably be the ADE Lab — four inspiring days at the cosy Westergas terrain in Amsterdam.
ADE 2025 takes place from October 22—26, 2025 This year, ADE Lab is expanding into its very own Lab Village, a creative playground dedicated entirely to sound. It’s a multi-day program where sound synthesis, audiovisual art, and innovative ways of making music are shared, demonstrated, and developed. Expect everything from artist and engineer talks, to immersive AV installations, live performances, DIY workshops, and the unveiling of new gear.
The program spreads across several spots at Westergas: WestWeelde is the industrial heart of it all, where big ideas stick. Here you’ll catch plenary talks and masterclasses, then retreat into the cosy Lab Living area to recharge, meet peers, or simply take it all in. Radio Radio, the iconic nightclub, will transform into a workshop playground. You can roll up your sleeves in the hands-on sessions or drift into the vinyl listening bar, where the turntable itself becomes the teacher. Pacific Amsterdam is the place to dream big. This studio-like club will host intimate talks with some of the most influential names in the game. Plus, the Gear Test Lab and Workshop Room will let you try the newest tools yourself — brand reveals are still under wraps, but I can’t wait to see what’s coming.
Me on the Verbos system
The last time I visited ADE Lab was back in 2016, when it was still called ADE Sound Lab and took place at De Brakke Grond and the Compagnietheater.
I went with my good friend (DJ) Guido, and had fun wandering through booths from brands like Ableton, Moog, Pioneer DJ, and Roland.
That year, Roland had just introduced their Boutique series — the TB-03 Bass Line, VP-03 Vocoder, and TR-09 Drum Machine.
The VP-03 really stuck with me... I even own one now...
With Daniel from LiveStock Electronics
The European eurorack distributor Alex4 was also there, showcasing Doepfer, AQA, and BirdKids, among their other brands, while Elektron and Erica Synths brought their gear-heavy setups, including an impressive Eurorack system.
I played with the Verbos system and had a great chat with Daniel from LiveStock, a Dutch modular manufacturer that sadly closed its doors in 2022.
To close the day, I headed back to the Compagnietheater for a showcase of Dutch modular artists — an unforgettable night of sound exploration.
And now, years later, ADE Lab is bigger than ever. I can’t wait to dive back in.
It feels good to say this: my studio is finally up-to-date again. With a new 4K webcam sitting on my desk, I’m ready to dive back into recording.
It’s been too long since I last shared any jams, tunes, or demos—but the spark is definitely back.
The funny thing is, that spark really lit up when I started digging through my own YouTube archives.
I stumbled on these three live tracks I uploaded more than 12 years ago, and suddenly I was right back in that moment. I can remember the setup, the cables, the excitement of hitting record, and the thrill of trying something a little unusual.
Those tracks were built around a quintuple 5/4 rhythm, a deliberate experiment after being inspired by Dave Brubeck’s Take Five and Blue Rondo à la Turk. I wanted to see what would happen if I pushed that feel into my own analog world.
The result was rough in places, sure, but it had this strange, hypnotic quality that still grabs me today.
Listening back now, I realize how much I loved the tension between deep analog sounds and these off-kilter time signatures. It wasn’t about perfection but about exploring, stretching, and seeing where the groove would take me.
In the playlist below, you’ll find all three recordings. The first one in the playlist is/was the “final” take, the other two are raw sketches that show the idea taking shape.
I do recommend headphones for this one... it’s all in the details.
Video Playlist: PatchPierre's Early Explorations in 5/4
Rediscovering these tracks has reminded me why I started sharing music in the first place. And with the new studio setup, I’m ready to pick up that thread again. If you’re curious where this journey leads next, follow me on YouTube—there’s much more to come.
At first glance, Hive might look like a straightforward four-channel stereo(!) mixer with CV-controlled panning, but as we’ve come to expect from VOSTOK, there are plenty of smart twists hiding inside.
Each channel can boost incoming signals, making it simple to balance different modules, or even bring your desktop synths and drum machines into the Eurorack world without extra gear.
Hive uses a custom panning law with a gentle -1.5 dB dip at center, ensuring that stereo movements feel natural and musical, whether you’re tweaking by hand or modulating with CV.
Hive modules can also be daisy-chained at the back, letting you build out larger mixers or submixers without taking up tons of rack space.
All of this is packed into a sleek 10HP design, making Hive just as at home as your end-of-chain stereo mixer, FX submixer, or even a creative stereo mangler.
It’s compact, it’s clever, and it’s ready to bring some serious buzz to your rack.
Check out the walkthroughs by RaafModular and DivKid below to really hear and see Hive in action!
Video: Vostok Instruments - by Raafmodular
" Discover the power of submixers in Eurorack with the new Hive module by Vostok Instruments.
In this video I explore how submixers can transform and deepen your sound.
Using Hive as the central tool, I’ll show you:
🎛️ How to blend multiple waveforms — including stereo signals — from a single oscillator to create epic build-ups.
🎹 How to build a polyphonic synth setup while keeping just one clean stereo signal for your mixer.
🎚️ How to use Hive as an extra effect send for greater control and creative routing.
🎶 How to manage a full four-voice synthesizer with only one stereo output.
🌌 How to shape a wide, immersive stereo field with CV-controllable stereo panning.
Whether you’re looking to streamline your setup or unlock new sonic possibilities, submixers can show just how powerful this approach is in a modular system. If you enjoy the video, don’t forget to like, subscribe, and share — it helps me make more music-first Eurorack content."
Video: Eurorack Modular Mixing Tips with Hive from VOSTOK Instruments - by DivKid
" Here’s the new 10HP stereo Eurorack mixer ‘Hive’ from Vostok Instruments and with the opportunity to make a demo of it I ran with the idea of showing a series of patching making the most of basic features, how to patch them for more advanced exciting things and bringing larger, layered patches and mixes together in the modular format. It's packed full of tips, give them a go."
Vostok Instruments modules are also now available in VCV Rack, so you can try them out in software included my collaboration modules Trace & Path - try them out!" https://vcvrack.com
Kim Bjørn and co-author Chris Meyer at the launch of PATCH & TWEAK at Dutch Modular Fest in 2018
Bjooks, the publisher of beautifully designed music technology books, returns to Dutch Modular Fest this Saturday at WORM in Rotterdam — the very event where the acclaimed PATCH & TWEAK book was originally launched in 2018.
Now, Bjooks is back to celebrate the growing PATCH & TWEAK Club community.
Festival attendees will have the chance to meet Bjooks founder and author Kim Bjørn, who will be on site for meet & greets and to personally sign copies of Bjooks titles, including PATCH & TWEAK, The Minimoog Book, and Synth Gems 1.
This is a unique opportunity to speak with the mind behind the movement and collect signed editions in an inspiring, creative atmosphere.
