My Main Live Configuration

An interesting topic popped up on the A-100 Facebook Group recently;
" How do you guys trigger your analogue synths sounds on live gigs? "
I do change my setup from time to time, but i do have some kind of basic setup for my live-sets and jams.
I have a total of 5 VCO's in my A-100 system, and i try hard to get the most out of it every time i play.

 Elektron SPS-1 Machinedrum

At the heart of my setup there is a drum-section, consisting of a Roland R-8 and an Elektron SPS-1 Machinedrum. The Electron is a perfect machine with plenty of  electronic drum sounds, i use the R-8 for the more 'organic' drumsounds.

MSY-2 MIDI-to-SYNC Converter

Synchronizing over MIDI is controlled by the R-8, through the Machinedrum and through a Doepfer MSY-2 MIDI-to-SYNC converter straight into the MAQ 16/3 Sequencer.
The MSY-2 is used to keep my TB-303 basslines in sync with the rest.
I also use the CV and Gate outputs from the TB, i get back on this later.

The MAQ 16/3 is Doepfer's MIDI Analog Sequencer.
It has 3 sequencer rows of 16 steps with Gate and CV outputs, i mainly use the top 2 rows for programming loops and basslines. From the MAQ 16/3 it all turns analog and goes right into my A-100 system.

MAQ 16/3 main controls

Row 1: main row, usually a 16 step pattern;
The  first row's CV goes through an A-180 multiple into two separate A-110 VCO's (with sometimes a slight de-tuning involved )
I often turn one of the VCO's 3 or 4 octaves up and send one of its output waves through an A-115 Audio Divider to add some extra (sub) bass.
These layers all mixed together with an A-138 mixer can be send from here to any other kind of filter or effect module, ending in an A-130 VCA somewhere.
The first row's Gate signal goes into input 1 of my A-143-2 Quad ADSR, that contains 4 independent ADSR-type envelope generators.
Gate input 1 is automatically connected to the switching contacts of the Gate input sockets 2, so from that single input i can retrieve 2 different envelopes.
One of them is sent to a VCA, the other one often goes to a CV 2 input of one of my filters.
That is basically my first (sequenced) A-100 Audio-source #1.

Row 2: Usually 6, but sometimes even 3, 8 or 12 steps long;
The CV signal from the MAQ's second row goes straight into my third VCO.
One or multiple waveforms can be sent from there and used for various different purposes, filters etc... coming together in A-130 VCA nr 2
Gate 2 goes into the third input channel of the Quad ADSR, i split up this with another multiple so i have 4 identical envelopes for use in the rest of my system. One of them goes to VCA nr. 2
So that's my second (sequenced) A-100 Audio-source #2.

VCO 4 is controlled by the CV coming from my (synced) TB-303.
The 303's gate signal triggers an ADSR for another A-130 VCA envelope.
I can send this audio-signal through all sorts of modules, resulting in A-100 audio-source #3

My 5th VCO ( and my only A-111 High End VCO ) is used for my solo's.
With an A-182-1 Switched Multiples i can easily switch between my MIDI masterkeyboard or my A-198 Ribbon Controller.
More info on this in detail HERE.
The Ribbon Controller CV goes into my A-156 Quantizer and an A-170 Slew Limiter for easier playing and a nice glide effect, as blogged HERE.
The Gate signal from my MAQ's row 3 (max. 16 steps or pauses) is sent to the 4th input of the Quad ADSR.
I like using this programmed (almost arpeggio-like) envelope to open a filter or amplifier with this, watch the video to see what i mean by that.
I have plenty options to do whatever i want with the wave-forms from this 5th VCO, but I like to keep the sawtooth wave for the A-129 Vocoder.
I guess that makes up audiosources #4 (vocoder) and #5 ( the VCO ) then...

What i did not mention here are the various other mixers and multiples used, the added noise, filters and LFO etcetera, but i hope you understand this is just the basic configuration of my A-100.

Video: Just me... and the Music take 1, an older jam by myself (from YouTube)


" Live Electronic Jam by NetPierre.NL feat. Doepfer A100 + Ribbon Controller, TB303, Machinedrum and effects, no post-production, and sadly no compession ) "

A-110 VCO Tutorials from Raul Pena

Raul Pena, who already brought us the A-188-1 BBD tutorials, recently published six new video tutorials.
This time the focus is on the A110 VCO:

Video 1 : Doepfer A110 Features and Functions
http://www.youtube.com/watch?v=E2BV4iYBpOY

" Explanation of Features and Functions of the Doepfer A-110 Standard VCO Module.

Next in this series Audio Demonstration of Waveforms and Pulse Width Modulation.Sound and Video by Raul Pena. "


More video after the break:

SiteTip V : PatchPierre Facebook Page

Time for a shameless self-promotion post;

In case you didn't know already, the PatchPierre Facebook Page is live since the end of august.
Feel free to follow me there too for the latest blog updates, extra video's, links and (perhaps) more in-depth information and discussions.

You will also find my modification pictures, neatly organized in a special Module Modification Folder. More pictures will be posted soon...

If you have questions, suggestions or other remarks you may also post them on my Facebook page.
( Your comments on the blogposts below are still welcome too )

Find it HERE

A-188-I BBD Tutorials by Raul Pena

Module A-188-1 is a so-called Bucket Brigade Device module.

A BBD circuit can be regarded as a chain of Sample&Hold units (S&H) which pass on their voltages to the next S&H in the chain at each clock pulse.
From this also the name Bucket Brigade Device is derived as each stage of the BBD can be treated as a bucket.

The sounds generated by module A-188-1 are very special. 

Typical applications for this module are: Flanger, Chorus, Analog Delay or Karplus/Strong synthesis.

Writing a post about the BBD has been on my list for a long time.
I own a 1024 stages version since the year it was released and i like it a lot.

The difficulty that i had was that it was pretty hard for me to understand all functions of this module completely, and than also have to write an explanatory post about it in English, which is not my native language...

I am very glad that Raul Pena (from http://raulsworldofsynths.com/) took the time and recently made some very interesting tutorial-video's explaining the whole A-188 in detail. 

This set of YouTube video's show you all the secrets of the module, with clear narration and pro sound-examples. Make sure you have some time, because in total this 4-part tutorial is longer than an hour (!)

Video 1: Doepfer A-188-1 BBD basics
http://www.youtube.com/watch?v=G8fKvbutgds
"Overview of functions and features of the Doepfer A188-1 BBD Delay module.
Video, voice, and sound by Raul Pena."

A-166 Dual Logic Module

" A Logic Gate is an idealized or physical device implementing a Boolean function.
It performs a logical operation on one or more logic inputs and produces a single logic output. Logic gates are primarily implemented using diodes or transistors acting as electronic switches. "

The A-166 Dual Logic Module is a double logic device that combines digital control / clock signals.
A typical application of this module is the combination of digital signals of the A-100 gates, clocks and triggers to obtain "gated" clocks or rhythmic clock patterns.

It contains 2 identical units with 3 inputs for each unit.
The logical states of the inputs ("1" = high / "0" = low) are linked together in 3 ways: AND, OR, EXOR (exclusive OR).
The input sockets of each triple unit are "normalized", i.e. the switched contact of socket 2 is connected to input 1 and the switched contact of socket 3 is connected to input 2.
The three functions are available simultaneously at three outputs with LED display of the output states.

Additionally two separate inverters ( like the A-165  ) are available that are very useful.
These can even be used to invert a signal before it is fed into one of the two logical units.
All other outputs can be fed back to the module's inputs also... in that way you can create very nice and very complex rhythmic triggers.

More on Logic Gates on Wikipedia

...and on Whatis.com

Quick Tip VII : Battery Check

In the A-112 VC Sampler /Wavetable Oscillator and some other devices rechargeable batteries (accumulators) are used for memory backup of preset data.
These electronic parts have a limited lifespan and have to be inspected at least every two years.

A-112 VC Sampler /Wavetable
Oscillator battery

Before the inspection the device has to be disconnected from mains voltage !
If the battery has a leak or if the measured voltage of the battery differs more than 10% from the target voltage the battery has to be replaced.
The target voltage (2.4V or 3.6V) and is printed on the battery.
The replacement should be carried out by qualified personnel only. 
The old battery has to be removed (desoldered) and the new one put in (soldered).
If you are able to carry out the replacement yourself you can purchase the rechargeable battery as a spare part from a supplier in your country. Any other rechargeable battery with the same voltage (e.g. 3.6V) can be used provided that it fits mechanically.

It is not allowed to put the old battery in the normal garbage. Please forward the old battery for recycling to a suitable receiving office.

The following Doepfer devices are (or have been) equipped with a rechargeable battery for memory backup:
2.4V rechargeable battery: LMK3/LMK3+
3.6V rechargeable battery, grid 10 x 20 mm.:
used in d3c, MCV24, A-112 VC Sampler /Wavetable Oscillator, Schaltwerk and Regelwerk.
Available e.g. from GP (3GP-60) or Varta (3/V80H), in Germany e.g. from www.reichelt.de (order no. 3GP-60), in USA from www.mouser.com (order no. Varta 3/V80H / 672-55608303059)

More info HERE

A-100 Knobs Change

Special announcement from Dieter Doepfer, in the Doepfer Yahoo Usergroup:
Updated Feb. 13, 2012, see below...

" I just wanted inform you that the knob manufacturer (ReAn Sulzer / Switzerland) has stopped the production of the knobs that were used in the A-100, MAQ16/3 and other products. 

We tried to buy the productions tools from ReAn as they are no longer used. But ReAn was not willing to sell the moulds.

We are about to find another manufacturer who is able to produce a copy of the knob but I'm not sure if the copies will look exactly the same. 

I assume that all modules manufactured until end of this year will still be equipped with the original ReAn version of the knobs. 

But from early in 2012 the modules will be delivered little by little with the new knobs. 

We will try to get new knobs that look as close as possible to the old ones but I'm not sure if there may be a small noticeable difference...

...Sorry - but we will try to continue with the A-100 as it is (same knobs,same panels). It's all a matter of taste. 

And if we change to other knobs I'm quite sure that many other customers would complain. 

If someone wants other knobs he may replace the knobs as the 6 mm 18 theeth shaft is a standard. 

From my point of view continuity is important for a product like the A-100 system. 

I would probably change some things if I could put the wheel of history into reverse (but not the knobs, the panels and the printing as I still like them). "

Best wishes
Dieter Doepfer

Update Feb 13, 2012:
" There is still some "fine adjustment" to do (exactly the same "grey", exactly the same width of the marker and so on). 

At first sight the samples of the new knobs look identically but if you compare an old and a new knob next to each other you see some minor differences (grey color and line width). 

But I'm confident that the manufacturer will be able to change these small details."