The Quiet Return of the Legendary Celluloid Records Label

While much of the world seems caught up in the recent Angine de Poitrine hype, there’s another development that has largely slipped under the radar. Few music journalists are paying attention to the subtle return of Celluloid Records, the label that once played a crucial role in shaping underground music culture.

If you spent any time on dance floors in the early eighties like me, chances are you crossed paths with at least one of their 12-inches.
Back then, I was mainly into Hip-Hop and Electro and while working in a club at 16, I learned the basics of mixing and scratching. It was there that DJ Frank Deibert handed me a copy of the RAP IT compilation album.

My Celluloid collection... Really fresh stuff... 

That record turned out to be a treasure trove; It featured tacks like Grandmaster DST Cuts It Up, Smurf for What It's Worth, The Escapades of Futura 2000 (with The Clash!), and even two versions of Change the Beat.

Yet ironically, most attention went to just a few seconds at the very end of the B-side. That now-iconic vocal snippet “Ahhh… this stuff is really fresh” became one of the most sampled and scratched sounds in DJ culture.The album itself, complete with artwork by Keith Haring, felt ahead of its time in every sense.

Behind all this stood Jean Karakos, the founder of Celluloid Records. The label built its reputation on unlikely collaborations and a fearless approach to genre. It wasn’t just influential within Hip-Hop, it left a deep imprint on the broader New York underground club scene from the late ’70s through the ’80s. 

" Celluloid’s catalog was as eclectic as it was forward-thinking.

Early releases ranged from no wave and avant-garde pop, featuring acts like Métal Urbain, Mathematiques Modernes, James Chance, and Alan Vega, to licensed works by Soft Cell, Cabaret Voltaire, and Tuxedomoon.
Through its connection with ZE Records, co-founded by Michael Zilkha and Michael Esteban, artists such as Was (Not Was), Suicide, and Lydia Lunch moved fluidly between both imprints, sometimes even appearing on dual-branded releases.

With Bill Laswell taking on a central role, Celluloid’s catalogue quickly expanded around 1982 into early hip-hop territory. Projects linked to Afrika Bambaataa (RIP), alongside artists like Fab 5 Freddy and Grand Mixer DST, were often recorded at Martin Bisi’s Brooklyn studio and shaped by Laswell’s group Material. 

At the same time, the label kept pushing boundaries with releases like Konk Party, while Laswell balanced outside success, such as his work with Herbie Hancock by ongoing contributions to Celluloid projects, including Material’s One Down, featuring an early appearance by Whitney Houston.
Under Jean Karakos, the label also broadened its scope, connecting with artists like Manu Dibango and Ginger Baker while maintaining a prolific and genre-blurring output throughout the mid-eighties."*

Audio interview with Jean Karakos:

This hard-to-find Mixcloud episode from 2011 features a deep-dive interview with Jean Karakos (RIP 2017), founder of Celluloid Records, who discusses his experiences navigating the early 1980s music scene and building the label's signature sound. Hosted by Ross Allen, the special highlights the intersection of punk, funk, and early hip-hop, featuring anecdotes about collaborations with figures like Bill Laswell and tracks from artists such as Time Zone and Fab 5 Freddy.

And now, since 2025, Celluloid Records is quietly back in motion. No loud announcements, no hype machine....just a legacy resurfacing, waiting to be rediscovered.

I have been following their new path over the last half year, and the new directions does still feel authentic, experimental, intuitive and at times psychedelic. They have been doing a few label parties throughout France and I've seen many interesting things so far. Some beautiful collaborations with female vocalist Orphee and Pleasure Principle, for example, who are all worth following on their social medias.
Today the label had their 2nd official release, "Dissociate" by Honk Gong, the new track has some serious Beta Band vibes, mixed with a deep and dubby sauce... it al sounds very nice and still sounds original...

Video: Honk Gong - Dissociate

I hope an upcoming tour brings the Celluloid Label line-up to the Netherlands later this year, there’s a certain SPOT in Amsterdam that would make the perfect photographic backdrop for this new chapter. :)

More than anything, I’m looking forward to what comes next: new re-(re-?)leases, new collaborations, and maybe a few unexpected turns.
Celluloid never followed the obvious path before, there’s no reason to expect they will now.

Follow Celluloid Records for more news via : 

BANDCAMP

Instagram

Youtube

Facebook

Listen to this compilation  with the most notable Celluloid Records releases from their archive.

Sources: * https://en.wikipedia.org/wiki/Celluloid_Records

                  https://www.karakosproductions.com/celluloid/

                  https://www.mixcloud.com/Celluloid/

AJH Synth teams up with Doepfer at SUPERBOOTH26, Celebrating Ten Years of Superbooth in Berlin ​ ​

AJH Synth will return to Superbooth 2026 with a notable collaboration: this year they will be sharing a space with Doepfer Musikelektronik in the Bungalowdorf area at FEZ-Berlin from May 7–9. 

Located at booth B031, the joint presence highlights both a long-standing relationship between the two brands and their shared roots in the evolution of Eurorack.

That connection goes back to the origins of the format itself. 

When Dieter Doepfer introduced the A-100 system in the mid-1990s, it laid the groundwork for what would become a global modular ecosystem. 

Over the years, manufacturers like AJH Synth have built on that foundation, helping to shape Eurorack into a diverse and musically driven landscape. I remember Allan reaching out to me when he released his first MINimod modules 12 years ago... time flies...

As Allan Hall notes, Doepfer’s early work played a key role in enabling a new generation of designers to move beyond DIY into fully realized instrument design.

At Superbooth 26, AJH Synth will showcase several of its latest modules, including the new Matrix VCF multimode filter. 

This module offers multiple filter types and dual resonance options, resulting in a wide range of tonal variations within a compact 14HP format. 

Alongside this, the system will be paired with Doepfer’s A-155-2 Mini Analog Sequencer 

Also on display are two modules developed in collaboration with Ian Boddy of Tone Science.

Tone Science is a musical project and record label founded by British electronic musician Ian Boddy, dedicated entirely to the world of modular synthesizers.
It began in 2016 as a solo album by Ian Boddy (titled Tone Science on his DiN Records label), featuring experiments with self-generating soundscapes. 

Boddy uses "controlled random systems" on analog modular gear to create music inspired by natural phenomena like waves and wind.

The Chance Delay introduces controlled randomness into gate and timing structures, while the Triple Cross XFader/Panner focuses on dynamic signal routing and modulation. 

Together, they reflect a continued interest in combining structured control with more generative, performance-oriented approaches.

Check out the Doepfer Superbooth 26 announcements HERE

Visitors to Superbooth can find AJH Synth and Doepfer at booth B031 in the Bungalowdorf area throughout the event.

To learn more about AJH Synth, please visit www.ajhsynth.com or to learn more about Superbooth or register for any of its compelling workshops or events, please visit www.superbooth.com.

*Source Pictures used with permission

 

Listening Tip: The Rack Pack Podcast

I only recently stumbled upon The Rack Pack Podcast, but it turns out the show has already been running for almost a year.
Hosted by five synth-obsessed friends, the podcast sits comfortably at the intersection of hardware exploration, hybrid studio workflows, and electronic music production. 

Each host brings their own perspective to the table, which makes for a dynamic mix of opinions, experiences, and the occasional friendly disagreement, exactly what you’d expect from a group deep into modular.

At its core, The Rack Pack is all about the joy (and occasional chaos) of Eurorack.
Episodes move fluidly between discussions on favorite modules, patching techniques, past and current (synth-)events and broader creative approaches.
It never feels overly technical, the focus stays on how these instruments actually function in a musical context.
Whether you’re already knee-deep in patch cables or just starting to consider your first case, this might be something for you too...

In their latest episode, the crew has a talk with Jason Lim, founder of Instruō, for a thoughtful deep dive into his design philosophy. The conversation explores how aesthetics, tactility, and musical intention come together in his work, and how that translates into the distinct identity of Instruō modules.
There’s also a closer look at his latest project; a bold quad filter that pushes both sonic flexibility and physical presence, and what it reveals about his approach to instrument design.

Along the way, the discussion opens up into broader territory: the balance between features and usability, where ideas for new modules originate, and how to maintain a sense of artistry in an increasingly crowded modular landscape. 

It’s an engaging and insightful episode, and a great entry point if, like me, you’re just discovering the show.

Video: The Rack Pack, Episode 16 - Instruo in the Rack w. Jason Lim from Instruō

Follow The Rack Pack Podcast:

YouTube: https://www.youtube.com/@RackPackShow

Spotify: https://open.spotify.com/show/3ygKUp0DtKTHAztBgZYJqZ

RSS: https://feeds.captivate.fm/the-rack-pack/

Instagram: https://www.instagram.com/rackpackpodcast/

Doepfer Spring/Superbooth 2026 Announcements

More than a month ahead of the annual Superbooth event in Berlin ( 7-9th of May), my favorite brand Doepfer has announced their latest batch of A-100 modules.
New Doepfer modules get me excited every time, it means spring is coming... ;) 

The overall theme seems to be Micro again, because they released four new ultra-compact modules that pack serious functionality into minimal space.

The A-140-3 Micro ADSR (4 HP) delivers a classic exponential ADSR envelope with voltage-controlled times and dual outputs, but only half the space of the original A-140 ADSR module

Module A-142-3 Envelope Controlled VCA (4 HP) combines a linear VCA with a built-in AD/AR envelope (switchable to LFO mode), making it perfect for quick percussive voices.

The A-180-6 Triple Adjustable Buffer / CV Source (4 HP) offers three buffered channels with individual level controls, ideal for multiples, level matching, or simple adjustable offsets.

Finally, the tiny A-190-9 Micro MIDI-to-CV Interface (only 2 HP) provides basic monophonic MIDI-to-CV/Gate conversion with multiple outputs.

All four modules emphasize Doepfer’s signature reliability and affordability. 

They’re excellent choices for space-saving (portable) compact racks or expanding any Eurorack system without wasting too much HP.

Besides these modules, Doepfer will probably have more news on earlier announced modules like the new A-198-2 Ribbon Controller that was announced last year.. 

It should be ready to ship any time, I guess...

I already pre-ordered mine and can't wait to get my hands on it and replace my old A-198 with this one. The display on the new one, the quantizing options and the additional outputs are a big step forward imho..

I've seen no actual changes announced to the ribbon controller manual though... It could use a better connector instead of that wonky USB connector.

Now that 104HP  (and 7U? high) is becoming kind of a standard case-size (Intellijel), it would make sense for Doepfer to investigate if it is worth to make a 1U high 104HP wide touch sensetive controller strip that would fit into such a case.

It's probably the best use for the 1U high strip after all, 7U never really made sense to me in the first place..

Keep an eye on the Doepfer website for further announcements and details about their Superbooth presence next month... 

New Patch-cables With Angled Plugs From Doepfer

Angled plugs 15,30 and 50cm

Nice... Doepfer now offers patch-cables with angled plugs too... in different sizes.

Completely 'in tune' with their own color coding system the new 15 cm cables are yellow, the black cables are 30 cm and the grey ones are 50 cm. It makes sense...

Angled plugs on Eurorack patch-cables can offer significant advantages for cable management, ergonomics, and portability by reducing the "spaghetti" of cables in dense setups. 

Orange 50cm
Angled on one side

They can keep cables close to the module panel, which keeps knobs, switches, and screens easier accessible.

I noticed that they also also still have the 50cm orange ones with only one angled plug... That one was introduced in 2010.

Details are available on the Doepfer Website in the price list section,
and you can order them at your local Doepfer dealer right now.

More about patch-cables on my website:

 https://patchpierre.blogspot.com/search/label/Cables

Inside the Studio of Dutch Synth Legend Allert Aalders by Modulogue

Another fine video from the team at Modulogue surfaced on YouTube this weekend, continuing their mission to document the stories behind the Dutch electronic music scene. 

These are the kinds of stories that don’t always get told often enough, focusing on the people, ideas, and motivations that quietly shaped a culture around sound.

This time, Modulogue visited Utrecht-based musician and event organizer Allert Aalders of Sonar Traffic, a synthesizer and electronic music studio rooted in hands-on experimentation. The video traces his journey from performing live techno as part of Human Beings to designing presets for industry heavyweights such as Native Instruments, Korg, Arturia, FabFilter, and Kilohearts, a path that bridges underground practice and professional sound design.

Video:
Inside the Studio of Dutch Synth Legend Allert Aalders // Modulogue
" We visited Dutch synth legend Allert Aalders in his studio in the woods near Utrecht. Part of iconic synthesizer act 'Human Beings' and founder of Modular Synth event: 'Modulation' and part of the Dutch Modular Fest crew. Under the name of Sonar Traffic, Allert creates presets for both hardware and software synthesizers such as Arturia, Native Instruments, Korg, Steinberg, Fabfilter and Kilohearts."

Sonar Traffic http://www.sonartraffic.nl/ 
Human Beings https://humanbeings.bandcamp.com/
Modulation / modulationutrecht
Dutch Modular Fest https://www.dutchmodularfest.com/

Bringing modular artists, developers, makers, and creative minds together is at the core of Modulogue’s work. Earlier this year, they also sat down with Tim Nieuwenhuis of MIDI Amsterdam to talk about the early days of Eurorack in the Netherlands. Together, these conversations offer a fascinating glimpse into how a niche format evolved into a vibrant, connected community centered around electronic music and modular synthesis.

Follow Modulogue 👇 https://www.modulogue.com/ 

/ modulogue.events 

/ modulogue 

/ modulogue 

SiteTip: MiniMIDI.world, A simplified guide to TRS MIDI by @audionerd

If you’re diving into the world of hardware synths, drum machines, and (eurorack) modular gear, you’ve probably bumped into the confusing topic of MIDI connections over 3.5 mm mini-jacks.
Unlike traditional 5-pin DIN MIDI, many modern instruments use smaller TRS or TS jacks for MIDI signals but there’s no single universal wiring standard. 

Photo via ExpertSleepers

That means the same cable might work on one device and not at all on another. 

minimidi.world is made and maintained by Eric Skogen, aka “audionerd.”, a Minneapolis-based developer ,and exists to take the mystery out of this by offering a clear, practical breakdown of how these minijack MIDI connections work and which devices use which type, saving you from trial-and-error cable frustration. 

At the heart of the site is a simplified guide to TRS MIDI, explaining how MIDI’s three signal pins map to the Tip-Ring-Sleeve of a 3.5 mm plug.

Here you will find easy-to-follow diagrams and explanations of the most common Type A and Type B TRS standards (and the simpler TS variants), along with examples of manufacturers that use them.
This makes it much easier to understand why a cable works for a Korg device but not for an Arturia, and how to adapt or choose the right cable accordingly.

But minimidi.world doesn’t stop at theory, it also links to community-maintained device lists and GitHub data, encouraging users to contribute updates when they discover new gear or newer wiring quirks.

Whether you’re a synth enthusiast trying to patch together your setup, a gigging musician sorting cables backstage, or a DIY builder crafting custom MIDI interfaces, this site is a go-to resource to demystify minijack MIDI and keep your rig talking smoothly.

minimidi.world, A simplified guide to TRS MIDI by @audionerd

Also check out https://audionerd.com/

More about the MIDI standard: https://midi.org/
Top photo credit and more reference see this Expert Sleepers post on Flickr.

More PatchPierre SiteTips:  https://patchpierre.blogspot.com/search/label/SiteTip

BookTip XVII: Arduino for Dummies

In 2013, I blogged about how Electronica for Dummies gave me a head start on the basics of electronic (sound) projects. Since then, I’ve been diving deeper and gathered reasonable piles of cool projects and  datasheets. 

My soldering skills, however… well, let’s just say they’re still as shaky as in my early DIY projects. Some things take time.

Last months I have been reading  

Arduino for Dummies by John Nussey.

 The book is a beginner-friendly guide to the Arduino platform; a programmable circuit board that can turn my ideas into working creations. 

A few months ago also my Arduino R4 WiFi arrived, and I’m already slowly sketching out possibilities. 

Next on my list: the ADDAC 210 Open Heart Surgery module.  

I wanted to have this module since it came out in 2014, and it is specially designed to host the Arduino UNO right on its backside while bringing all the pinouts to the front in a slim Eurorack module. 

A perfect bridge between my modular world and my new coding adventures.

My lovely new little Arduino

With a little help from ai and ChatGPT, understanding and writing code for the Arduino already feels a lot less intimidating.

It’s like having a patient tutor on call, guiding me through the logic step by step. 

And I know there are always friends who can help out.

I can’t wait to dive in deeper, even if free time is scarce. Consider 2026 as the start of a new chapter. 

Stick around, because I’ll be sharing my progress, my experiments, and maybe even a few happy accidents along the way.

Find all my other BookTips HERE

Even though I only bought the Arduino Uno R4 a few months ago, I’m finding myself drawn to the Arduino Uno Q because it feels like a better match for how I actually work.. What also makes it appealing is the ease of adding a proper user interface to my projects, like buttons, displays, simple controls — without things becoming overly complex. It’s less about upgrading for power and more about choosing a board that supports thoughtful experimentation and projects that grow slowly and intuitively over time. 

Leave a comment with your thoughts about the new Uno Q

WMD Announces Clutch: A Hi-Hat Sample Player Module Many Have Been Waiting For

After several years of ideas, testing, and improvements, WMD has released Clutch, a new digital hi-hat module for Eurorack. It is designed to make expressive, detailed, and performance-ready hi-hat sounds.

 Originally it was planned to be released under a new brand called AMMT, but WMD later decided not to continue with that name. The AMMT logo is still printed on the module as a tribute to the team that built it.  

Clutch is a dual sample player made especially for hi-hats and layered percussion. It has two separate sample parts, so you can mix simple, classic hi-hat hits with a large collection of sounds stored on an SD card.

Layer A can be fully controlled with CV, which lets you create moving, changing rhythms.
Layer B stays steady and reliable, giving you a solid base for your beats.

A CV Disable switch lets you quickly return to your basic settings. Clutch also includes built-in effects and a “Feel” control (inspired by the WMD Chimera) that helps create a more human, natural playing style by changing velocity, attack, and release based on triggers.

Clutch will be available worldwide through WMD dealers and directly from wmdevices.com today

WMD, based in Denver, Colorado, has been building electronic instruments and Eurorack modules for almost 20 years. 

They are known for creating creative, performance-focused tools trusted by musicians around the world for their sound quality, reliability, and play-ability.

Video by WMDevices

more:

https://wmdevices.com/products/clutch

More WMD on PatchPierre: 

https://patchpierre.blogspot.com/search/label/WMD

Glitch

I'm Still Here... Not complaining, just explaining.

I’ve been dealing with severe headaches and migraines since I was around 12, as far as I can remember. It hasn’t always been easy, but over the years I learned how to live with it and adjust my life around the pain.
The last five years have been a little more manageable thanks to a painkiller that usually kicks in after about an hour and fifteen minutes. Even so, I still rely on it at least eleven times a month.

But what happened about a month ago was different—outside of my “regular” routine.

glitch/ɡlɪtʃ/

A glitch is a temporary, often minor malfunction or defect in a machine, plan, or system. It can also refer to a brief surge or interruption of voltage in an electrical circuit. Examples include a computer error that causes a temporary malfunction, a physical problem that stops a machine from working successfully, or an unexpected interruption in a plan.  

I was almost asleep when I suddenly felt an extreme, sharp pain, as if something snapped in my neck and the side of my head. Almost immediately, the tip of my left ear and the left side of my head went numb for a short while. The next morning, I woke up with pain in my left arm, and that pain hasn’t fully left me even now, more than a month later.

We’re still not entirely sure what happened. It seems likely that a blood vessel, internal or external, was temporarily blocked. There’s also a small chance it was a minor bleed. We’re still investigating and trying to find a clear cause and solution.

Because of the pain in my upper spine and neck, it’s difficult to sit upright for long or keep my head straight. My migraines have been almost daily, and my energy levels have been low. Slowly, though, I am recovering. It hasn’t been great for my overall mood, obviously, but I’m working my way through it.

Luckily, I was able to spend a week in the German Eifel region, taking things slow for a month. I even managed to finish building my DIY Eurorack case (the one I wrote about earlier).

I also ordered an Arduino UNO R4, so I’ve been diving into Arduino programming,because even when my head hurts, it’s still full of ideas.
Maybe that’s what caused all this in the first place…

And yes... my AKAI MPC Live 3 arrived! A worthy successor to my old MPC Touch, which needed replacing after Akai stopped supporting it.

A lot of my time was spent on diving deeper into my This Is Not Rocket Science Bopp and Steve eurorack module. This is no ordinary reverb, the range of possibilities keeps fascinating me.

Blog posts will return soon. I’ll catch up on some of the important instrument releases and events from the last few months, and I hope to get back again to a more regular posting rhythm.
I also still have a few people I look forward to meet and/or interview before the year ends.

Thanks to the ones who reached out. I don’t want to sound dramatic, but honestly. I’m glad I’m still here.

Glitches happen for a reason, i hope to see you all soon again

ZeepLAB Crowdfunding: Celebrate bleeps, bloops & beams!

In Nieuwegein (NL), ZeepLAB has slowly become the place to be for many live electronic musicians... real “knob-twisters” and “cable-patchers” with synths, grooveboxes and modular gear.

To continue the good work they started a crowdfunding campaign and need your help to maintain the location and support the performing artists...

Entrepreneur and musician René Voorberg turned part of the old Persil/Ecolab soap factory into an immersive stage where visuals and live sound meet. Sitting on cushions, visitors experience unique performances across ambient, downtempo, IDM, cinematic, glitch, melodic techno, drone and synthwave, a celebration of creating your own sound in an age of AI.

Together with CKV teacher Marco Tenkink, René transformed 140 m² of former locker rooms into a venue built from reused factory parts, theatre curtains and metres of cable. 

Since October 2024 ZeepLAB has hosted concerts, album launches and community events such as Patchworks, Modular on the Spot and Bring Your Own Synth jam nights, with livestreams making the experience accessible to a wider audience.

ZeepLAB is a heartfelt investment, but it costs time and money. 

Your support helps it survive until at least 2028/2029 – and hopefully beyond, as the area develops new creative spaces. 

With your help the team can continue to:

– organise 10–15 shows per year

– keep hosting concerts on a donation basis

– host meet-ups and showcases

– run Bring Your Own Synth nights

– cover part of the maintenance costs

– give musicians a small expense allowance

Every contribution – large or small – keeps this unique venue for electronic music alive. 

You can find the crowdfunding campaign H E R E

For a taste of the vibe check ZeepLAB on Instagram, Facebook or their YouTube channel.

Dit bericht op Instagram bekijken

Een bericht gedeeld door ZeepLAB, Beats & Beams (@zeeplab.studio)

Video: DUTCH MODULAR FESIVAL 2025 by DivKid

Yeah… I’m honestly a bit bummed that this year I had to miss what would have been my first Dutch Modular Fest.
But luckily, DivKid made the trip to the Netherlands and captured it all in his own unique way.

One of the people guiding him around the venue was Bart Wolff from Voltage Control Amsterdam. 

Bart is not only one of the hosts of Dutch Modular Fest, but he also organizes inspiring modular music events at Paradiso Amsterdam. In the video you can see how he leads DivKid through the WORM space, sharing the spirit of the festival.

DivKid’s report is a quick walkthrough of the festival location WORM in Rotterdam. It really gives you a feel of the atmosphere: the modular makers, the synth and soldering studios, and of course all the lovely people who make this community so inspiring.

Video:DUTCH MODULAR FESIVAL 2025 

// a wondrous collection of modular makers, synth studios + lovely people, by
DivKid

"Here's a video all about the Dutch Modular Festival for 2025 that's just happened with a huge collection of modular makers, synth studios, great people and plenty more. This is the first year the festival moves to Rotterdam into the venue WORM which is a cultural spot in the Netherlands with a whole range of related activity already going on before the festival moves in for the day. Check out some of the gear, people and stories in the video and links below to things mentioned in the video."

More DivKid videos at 

https://www.youtube.com/user/DivKidVideo
Insta: https://www.instagram.com/divkidvideo/
DivKid on X: https://x.com/DivKid

Portable Eurorack Case DIY Project, Part One

My old Doepfer G6 rack w. power supply 2

Sometimes new ideas don’t come from buying something shiny and new, but from simply looking around at what’s already there.

As I’ve been planning to create more content for the blog, I realized I needed a smaller, more portable setup to complement my ‘main’ Eurorack modular. Something I could easily pick up, move to the living room or outside, and experiment with whenever inspiration hits.

This weekend, I wasn’t able to go out much because of too much pain, so I decided to finally tackle a project that had been waiting in the corner for far too long: transforming my old, clunky Doepfer G6 rack (2 × 84HP) into a more portable case.

Yes, I know... there are already plenty of companies making beautiful cases ( Casefromthelake, 2egress, and so on). But this G6 had been lying around for ages, unsold, unused. And since I love recycling whenever I can... most of my art projects are made from reclaimed or leftover materials. It only felt natural to give it a second life.

From 84HP to 126 HP wide

I started dismantling the old rack, stripping it of its rails and panels.
My original plan was modest: one row, 126HP wide. 

But, like most of my projects, the idea grew while I was working on it. I cut one rail in half, connected it to another with a piece of threaded rod, and suddenly I had the width I wanted.

At first, I thought this would be enough for a small experimental rig. But then the big question came: where would I put the power supply? That’s when I noticed I could reuse a few more rails from the back. Why stop at one row when I could make it two?
So instead of downsizing, I ended up with a larger, more flexible case; two rows high, 1 x 126HP plus one 42HP wide = 168HP in total, while still recycling almost everything.

Connection of the rails,
side-view

The prototype front panel is now almost finished. The wooden top is in place, and I’m considering putting the whole thing at an angle for easy access. That part will probably be a story for another blogpost.

 
If I can find some nice wooden panels, the build should be finished in a few days. Maybe I’ll even paint this plywood case with a water-based color, but honestly, I already love the raw look it has now.

Sometimes staying home leads to unexpected creations, and I’m already looking forward to experimenting with this new recycled setup.

Almost finished front of the new portable case prototype

Soon after the last picture, I realized I’d made things harder for myself. Of course the power supply should go in the bottom row, so the top stays nice and deep for my modules.

...To be continued....

Check out my other modular case inspiration blogposts HERE

The Story of Inventing Eurorack: Dieter Doepfer by MylarMelodies

This blog would never have existed without one man: Dieter Doepfer, the mind behind the Eurorack format.

As we celebrate the 30th anniversary of Eurorack, I’m currently working on a deeper article about its fascinating history. But in the meantime, there’s already something special to share.

In 2024, Mylar Melodies sat down with Dieter Doepfer himself, alongside Holger Zapf, who is gradually taking the reins at Doepfer HQ. 

The interview dives into the origins of Doepfer, the evolution of synthesizers, and of course, the future of  Eurorack.

It’s a must-watch for anyone passionate about modular synthesis. You can find the video below— and don’t forget to follow Mylar Melodies on social media for more inspiring synth content.

Video: The story of INVENTING Eurorack: DIETER DOEPFER //                                                                                                                    Why We Bleep 55 by MylarMelodies

" A podcast about creating Eurorack modular synths in the 90s, collaborations with Kraftwerk, the 'red stripe' controversy (if you know you know) - in this episode we hear from Dieter Doepfer, in an interview at Machina Bristronica 2024, about how his Eurorack Modular format went from "Nobody
wants that sh*t" to a blossoming and diverse industry 30 years later.
 This was filmed at the mighty https://machinabristronica.uk/ "

LISTEN AND SUBSCRIBE TO WHY WE BLEEP ON: 

APPLE PODCASTS: ▶︎ https://podcasts.apple.com/gb/podcast...
SPOTIFY: ▶︎ https://open.spotify.com/show/7geAIMt...

PATREON: ▶︎ https://www.patreon.com/mylarmelodies

Source: https://www.youtube.com/@mylarmelodies

Amsterdam Dance Event ADE Lab 2025

Amsterdam Dance Event is just around the corner.
Every year it transforms the city into a buzzing mix of conference, festival, and networking hub, where more than 2,500 international artists come together.
For me, the highlight will probably be the ADE Lab — four inspiring days at the cosy Westergas terrain in Amsterdam.

ADE 2025 takes place from October 22—26, 2025
This year, ADE Lab is expanding into its very own Lab Village, a creative playground dedicated entirely to sound. It’s a multi-day program where sound synthesis, audiovisual art, and innovative ways of making music are shared, demonstrated, and developed. Expect everything from artist and engineer talks, to immersive AV installations, live performances, DIY workshops, and the unveiling of new gear.

The program spreads across several spots at Westergas:
WestWeelde is the industrial heart of it all, where big ideas stick. Here you’ll catch plenary talks and masterclasses, then retreat into the cosy Lab Living area to recharge, meet peers, or simply take it all in.
Radio Radio, the iconic nightclub, will transform into a workshop playground. You can roll up your sleeves in the hands-on sessions or drift into the vinyl listening bar, where the turntable itself becomes the teacher.
Pacific Amsterdam is the place to dream big. This studio-like club will host intimate talks with some of the most influential names in the game. Plus, the Gear Test Lab and Workshop Room will let you try the newest tools yourself — brand reveals are still under wraps, but I can’t wait to see what’s coming.

Me on the Verbos system

The last time I visited ADE Lab was back in 2016, when it was still called ADE Sound Lab and took place at De Brakke Grond and the Compagnietheater. 

I went with my good friend (DJ) Guido, and had fun wandering through booths from brands like Ableton, Moog, Pioneer DJ, and Roland. 

That year, Roland had just introduced their Boutique series — the TB-03 Bass Line, VP-03 Vocoder, and TR-09 Drum Machine. 

The VP-03 really stuck with me... I even own one now...

With Daniel from
LiveStock Electronics

The European eurorack distributor Alex4 was also there, showcasing Doepfer, AQA, and BirdKids, among their other brands, while Elektron and Erica Synths brought their gear-heavy setups, including an impressive Eurorack system.

I played with the Verbos system and had a great chat with Daniel from LiveStock, a Dutch modular manufacturer that sadly closed its doors in 2022. 

To close the day, I headed back to the Compagnietheater for a showcase of Dutch modular artists — an unforgettable night of sound exploration.

And now, years later, ADE Lab is bigger than ever. I can’t wait to dive back in.

👉 Get your tickets and i hope to see you at Westergas!

Allert from SonarTraffic performed in the evening

PatchPierre's Early Explorations in 5/4

It feels good to say this: my studio is finally up-to-date again. With a new 4K webcam sitting on my desk, I’m ready to dive back into recording.

It’s been too long since I last shared any jams, tunes, or demos—but the spark is definitely back.

The funny thing is, that spark really lit up when I started digging through my own YouTube archives. 

I stumbled on these three live tracks I uploaded more than 12 years ago, and suddenly I was right back in that moment. I can remember the setup, the cables, the excitement of hitting record, and the thrill of trying something a little unusual.

Those tracks were built around a quintuple 5/4 rhythm, a deliberate experiment after being inspired by Dave Brubeck’s Take Five and Blue Rondo à la Turk. I wanted to see what would happen if I pushed that feel into my own analog world. 

The result was rough in places, sure, but it had this strange, hypnotic quality that still grabs me today.

Listening back now, I realize how much I loved the tension between deep analog sounds and these off-kilter time signatures. It wasn’t about perfection but about exploring, stretching, and seeing where the groove would take me.

In the playlist below, you’ll find all three recordings. The first one in the playlist is/was the “final” take, the other two are raw sketches that show the idea taking shape. 

I do recommend headphones for this one... it’s all in the details.

Video Playlist: PatchPierre's Early Explorations in 5/4

Rediscovering these tracks has reminded me why I started sharing music in the first place. And with the new studio setup, I’m ready to pick up that thread again. If you’re curious where this journey leads next, follow me on YouTube—there’s much more to come.

Source: https://www.youtube.com/@NetPierreTV

VOSTOK Instruments Hive Quad Stereo Automated Mixer Demos by RaafModular and DivKid

VOSTOK Hive

VOSTOK Instruments has just unveiled their brand-new Hive Eurorack module — and this one is buzzing with clever features! 🐝

At first glance, Hive might look like a straightforward four-channel stereo(!) mixer with CV-controlled panning, but as we’ve come to expect from VOSTOK, there are plenty of smart twists hiding inside.

Each channel can boost incoming signals, making it simple to balance different modules, or even bring your desktop synths and drum machines into the Eurorack world without extra gear.

Hive uses a custom panning law with a gentle -1.5 dB dip at center, ensuring that stereo movements feel natural and musical, whether you’re tweaking by hand or modulating with CV.

Hive modules can also be daisy-chained at the back, letting you build out larger mixers or submixers without taking up tons of rack space.

All of this is packed into a sleek 10HP design, making Hive just as at home as your end-of-chain stereo mixer, FX submixer, or even a creative stereo mangler.

It’s compact, it’s clever, and it’s ready to bring some serious buzz to your rack.

Check out the walkthroughs by RaafModular and DivKid below to really hear and see Hive in action!

Video: Vostok Instruments - by Raafmodular

" Discover the power of submixers in Eurorack with the new Hive module by Vostok Instruments. 

In this video I explore how submixers can transform and deepen your sound. 

Using Hive as the central tool, I’ll show you: 

🎛️ How to blend multiple waveforms — including stereo signals — from a single oscillator to create epic build-ups. 

🎹 How to build a polyphonic synth setup while keeping just one clean stereo signal for your mixer. 

🎚️  How to use Hive as an extra effect send for greater control and creative routing. 

🎶 How to manage a full four-voice synthesizer with only one stereo output. 

🌌 How to shape a wide, immersive stereo field with CV-controllable stereo panning. 

Whether you’re looking to streamline your setup or unlock new sonic possibilities, submixers can show just how powerful this approach is in a modular system. If you enjoy the video, don’t forget to like, subscribe, and share — it helps me make more music-first Eurorack content."

More RaafModular on YouTube at https://www.youtube.com/@raafmodular/videos
give Raaf Modular a follow on your favorite social platforms. 

Support your local modular heroes!

Video: Eurorack Modular Mixing Tips with Hive from VOSTOK Instruments - by DivKid

" Here’s the new 10HP stereo Eurorack mixer ‘Hive’ from Vostok Instruments and with the opportunity to make a demo of it I ran with the idea of showing a series of patching making the most of basic features, how to patch them for more advanced exciting things and bringing larger, layered patches and mixes together in the modular format. It's packed full of tips, give them a go."

https://www.vostokinstruments.com 

Vostok Instruments modules are also now available in VCV Rack, so you can try them out in software included my collaboration modules Trace & Path - try them out!" https://vcvrack.com

More DivKid videos at https://www.youtube.com/user/DivKidVideo

Insta: https://www.instagram.com/divkidvideo/

DivKid on Twitte...eeeh X: https://x.com/DivKid